Posted in knitting, painting

Friday Finishes (Yes, two!)

It’s been a pleasant and productive week for me. You see in the image that I have finished the second sock of the Mary Delany pattern.

This is the first time I have stranded two yarns across the heel. For the past few years I have been seeking construction techniques that reinforce the areas of the sock foot which always get holes. Logic tells me that two strands are stronger than one.

I used one blended yarn and one all-wool yarn. Fiber content includes acrylic, alpaca and sheep’s wool. Time will be the measure of success in this test of tensile strength!

The pattern is by Kate Davies, and I will again insert the link to it. I must confess to substituting another Fair Isle pattern for the pattern’s. Your results will vary.

https://www.ravelry.com/patterns/library/mary-delany

My second finish of the week is the Winter Birds watercolor painting based on Bill’s photographs. My composition is compiled from three of his photographs.

The two chickadees are cozied up to a pinecone, with the pine’s branches and needles as background. Working out the best layout was a wonderful challenge. My goal for the painting was to suggest bird camaraderie during the depths of winter.

WINTER CHICKS

This painting is about done. I still need to clean up some edges, tone some of the masked areas and add a highlight or two. All fun stuff. And it’s finished in time to slip it into a frame and hang it on the wall before Winter officially begins.

After laying in masking fluid, I used hansa yellow deep, transparent orange, pyrrol scarlet, burnt sienna, Winsor green blue shade, Cerulean blue and ultramarine blue. My new favorite black mix is ultramarine blue and transparent orange.

Posted in drawing, painting

Friday Finish: Tutorial with Shari Blaukopf

Earlier this year I shared some work made following a tutorial taught by Montreal artist Shari Blaukopf. She is an urban sketcher and watercolorist who offers a wide range of online lessons through Teachable. Today I finished painting A French Village Scene, which is the final lesson in her course by the same name.

https://learn.shariblaukopf.com/courses/

The challenges were multiple: perspective drawing, sketching in ink, and completing the scene with watercolor.

Here is Shari’s reference photo. She took it while teaching in France this year.

Photograph by Shari Blaukopf

I labored over the perspective drawing for 2 or more hours. Perspective drawing doesn’t come easily to me, and I wanted my work to be believable, if not 100% accurate. When satisfied, I inked the important lines and erased the pencil marks.

I was forced to take some liberties with the scene, because my paper was not proportional to the original. Mine is wider.

I did most of the painting before our Thanksgiving trip to Wisconsin. Returning home, I was keen to finish this and get it off my workspace. Other projects, both started and planned are stacking up awaiting my attention.

Here is my (almost) final painting.

It’s a truism, at least for painters, that they must take some time away from a work before deciding that it is finished. So that’s what I will do. Even looking at it now, I see a few areas that need more work.

Posted in painting

Sunday Squash

Not many people would call a pumpkin a squash, but I just love alliteration. I can’t help myself.

I’m a few weeks late in finishing my pumpkin painting. Painting was supposed to take place on the first Monday in October, when Cheryl Bryan conducted her once a month tutorial. I had prepped my paper and packed my traveling paint kit, but didn’t attend class. I was at a funeral for a friend that morning.

As the month wore on, I kept busy in the garden (and with stash-busting knitting.) So, it’s today that my pumpkin painting is ready to be viewed.

My reference photo is by Megan Lee, who generously shared it on Unsplash.

Thank you, Megan.

What attracted me to this image was the background primarily. I liked that the pumpkin is still in the pumpkin patch, surrounded by its vine, whose leaves are changing to yellow. The white tendrils (or roots?) which are visible throughout the image keep the eye moving through the scene.

My goal was to capture a spooky feeling, along with the intense highlights, as if a beam were focused on the pumpkin – the star of the show.

Did I achieve the goal? I believe so. What do you see?

Painted on Arches cold press using Winsor yellow, Winsor green, transparent orange, alizarin crimson, burnt sienna and ultramarine blue. White highlights emphasized with Dr PH Martin’s bleed-proof white.

Posted in drawing, painting

Watercolor Wednesday: Blaukopf Online Learning

I gave myself a gift by purchasing another Blaukopf tutorial through Teachable. This one appealed to me because it featured ink and watercolor.

https://learn.shariblaukopf.com/p/sketching-a-french-village-scene

For the first lesson, Shari walked us through the mixes we would be using throughout the course. My swatches came out nicely, despite the fact that I had no Hooker green paint and substituted Winsor green.

Our first painting was of a balcony scene in a Normandy village featuring lots of stone and pots of plants perched on a wall.

Photograph taken by Shari Blaukopf

Shari suggested that we avoid pencil lines and draw straightaway with the ink pen. I am using Pigma Micron with archival ink.

Not too bad. The basic shapes and textures look as expected.

First wash.

I was so focused on finishing that I didn’t take any other images of intermediate steps.

Here is my final ink and watercolor painting of the balcony scene.

While I didn’t have fun throughout the entire experience, I got re-introduced to my watercolor paint and had enough fun for a Wednesday.