I wanted to try the geometric glazing technique that I used for Belize Memory on another subject. This is an image of an agate in the collection of the Natural History Museum, London.

I thought it would work well as a subject for the technique.
I started with an ink drawing showing the major lines in the striations.

Next I created a color swatch and a gray scale to guide my work.


With a lot going on today, I had to stop working. Here is my agate painting with initial washes and a few details.

At this stage, I’m encouraged. Perhaps I can finish up tomorrow.
Micron pen on watercolor paper with raw sienna, burnt sienna, quinacridone red and Payne’s gray.

This is going to be so beautiful. It looks great just as it is now but I don’t image you’re even close to being finished, LOL.
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That’s looking great!
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Thank you.
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You are so talented! I am in awe.
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I like the patterns you created and colors, it looks just like the real thing! 🎨
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Maybe I’ll finish this painting one day.
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