Posted in drawing, painting

100 Day Project: Days 13 to 17

I had hoped to make more art objects in the week after my return from vacation. But then I decided it’s better to keep posting what’s done than wait for more progress.

If you are following this subject, you know that I am working with husband Bill. He selects the photos, I make art objects inspired by them. This week I selected five photos that feature interesting textures.

Day 13: Mosaic floor in Roman church

What struck me about this image was its illustration of single point perspective. As you look down and away, the medallions morph from circles to ovals. I started by drawing two straight lines, narrowing towards the vanishing point. For my texture, I went with Zentangles.

Fun and meditative drawing with Micron pen on bristol smooth paper

Day 14: What would you do with this object?

In case you can’t tell, it’s beachball floating in a pool. I found myself drawn to the reflection in the northern hemisphere of the ball.

Using pencil, I did my best to draw the shapes. Next, I combined it with this photograph of an orchid.

Day 15:

I added the orchid to the lower right corner of my pencil drawing, overlapping the edge of the circle. Then I dropped in color washes to the sphere. After that dried, I painted the orchid with darker shades.

Day 16: Ghost leaf

This is one of Bill’s favorites. The light is from behind, filtering through the oak leaf. The back leaf, peeking out between the lobes of the large front leaf, is casting its shadow.

I adore the color and texture of this image. It was impossible for me to do justice to the lacey network of golden veins. Instead, after painting on a golden wash, I lightly tapped the surface with a sponge dipped in masking fluid.

I also intensified the color of the background using orange’s complement, blue. The two hues side-by-side seem to throb.

Day 17: Shells

This photo was chosen for making a quick study in my sketchbook. I drew the shells free hand using a watercolor pencil in a neutral brown. Using that and other watercolor pencils, I added detail, color and texture. Finally, I dissolved and blended the pigments with a wet brush.

I recently read Painting Light & Shadow in Watercolor, by William B. Lawrence. Inspired by his work, my next set of photos will be chosen for the presence of interesting shadows. I’m excited to see what happens.

Posted in embellishing, painting, quilting

Friday Finish: Creation Wall Quilt

Today I’m showing the finished wall hanging that I made based on a 13th century illuminated manuscript. The project got its start when I wanted to try out my new watercolor pencils on fabric. This link shows the original artwork that inspired me.

After getting the blocks sewn together, I quilted the sections in a dark blue thread. I was proud that my free-motion quilting skills were proficient enough to make swirls, wiggles, spirals, shapes and lettering.

Most of the fancy stitches were done on the pale grey fabric. In each of the four cardinal compass points, I stitched images that were in the style of those found on the medieval manuscripts. That style is typified by drawings of flowers, animals and figures worked into lots of filigree lines. I love the flat imagery and the primary colors used by the artists of the time. They were simple monks living a simple life.

The giant focal point, God’s eye, is sewn with spirals: symbol of the cycle of Life.

This quilt done, I can now focus my time on the Stay-at-Home round robin quilt. Right now I’m working diligently on a large number of flying geese blocks. If I stick to it, the border will be finished in time to post to the Linky party before it closes.

Posted in painting, quilting

The Creation Fiber Project: Work continues

It was a cloudy day when I staged and photographed this image. It documents the assembly of my latest quilt project, tentatively called “Creation.” From a few feet away, the piecing looks fine. All points that are not exactly matched are at least closely matched. You can see on the right one border attached.

At this point, I really needed a break on lining up and sewing points. So I moved on to the border’s corner blocks. In reading about medieval manuscript paintings, I learned that the owners of the missals often had their family coats of arms painted at the corners. Here are examples.

I desire to do something simpler. (Only partly because I don’t want to spend several years of my life painting an elaborately decorated border like the example!) I have a fascination with symbols, so I decided to place historical and ancient symbols of God and/or creation at the corners instead. After a bit of research, I got busy.

Three out of four are complete. They are painted on the same golden fabric used as used for the scenes of Creation. I used watercolor pencils again. Behind and to the left you can see my border fabrics.

Perhaps tomorrow I will get back to sewing.

Posted in quilting

Final Test Creation Panels Project

Using my new watercolor pencils, yesterday I painted the final two panels copied from a 13th century illuminated manuscript.

Days One and Three

I’m testing the performance of this medium on cloth. If I find that the pigment doesn’t bleed or fade, I will add this tool to my fabric painting practice. Now that all four images are finished, the cloth gets dipped in soapy water……

….swished gently, rinsed and dried. I’ll admit that I left the cloth to soak for less than a minute. There was a tiny bit of yellow and red pigment dissolved into the bath water. But as I blotted the rinsed cloth, I saw no pigment transferred to the white terry towel. Happy days! The pigment is colorfast.

The absolute final test is permanence. This one can’t be rushed. I just have to use the object and see what happens over time.

Because the muslin is so lightweight, I decided to cut out the circles and applique them to quilting cotton. In keeping with the “let there be light” theme, I chose a gold ombre fabric.

For the quilt, I’ll stick with the colors of the original painting – gold, dark blue, red and teal green. I have a silvery-gray solid to use as the background.

More to come after a trip to the fabric store.