Posted in painting

This week’s watercolor work

Hi, Friends,

When I finished the 12 week Artist’s Way course, I made a commitment to myself to follow up with 90-day self-nurturing plan. It includes a concrete plan of action to write daily, take myself on an artist’s date once a week, and explore more fully my favorite creative practices. One of these is watercolor painting.

My “date” this week was to attend a workshop at the local art association, which took place on Wednesday. It included a one hour tutorial by Tony Couch. Today I am sharing the practice pieces that I painted as a result of the workshop.

Tony talked a lot about what the landscape artist paints. He insists that we don’t paint a tree. We paint a symbol of a tree. We don’t paint water, we paint a symbol. Symbols have specific characteristics that make the objects instantly recognizable to the viewer. For example, for a deciduous tree the characteristics are shape (round crown), colors (varies with the season) and textures (expressed by the leaves and the bark)

Painting the symbol of a tree.

Painting a symbol of still water.

To practice the still water technique, I painted a scene from Iceland. It’s based on a photograph published on Unsplash – a free use site for photographers and other artists. Here is the reference photo:

I started with the sky and worked my way down to the water.

Initial washes are complete. I will come back to deepen some areas and add finishing details. This was painted on a Stonehenge paper block using a palette of Hansa yellow deep, Winsor green yellow shade, ultramarine blue, pyrrol scarlet, quinacridone red, carbazole violet, burnt umber and Payne’s gray.

Posted in painting

100-Day Project: Days 18 to 21

My selection today is all watercolor, of varying qualities.

Day 18: Amanda’s Shawl

This week I slipped in a photograph taken by me. Last August I had started painting a close-up version in watercolor. The painting has been in time-out for several months. This week I finished it.

The theme is texture, and I’m fairly happy with most of what I did. I’d like to try again using a larger piece of paper and the full view.

Day 19:

Again, I was drawn to the texture, and the points of the barbed wire which look almost white to me.

I didn’t achieve a good range of value. I plan to try again, maybe in a monotone, so I can focus the value contrasts.

Day 20: Sharp-shinned hawk.

Yesterday was First Wednesday Open Studio at the arts center. Cheryl Bryan’s lesson focused on lost and found edges. I chose this photograph because the hawk’s coloration allows it to blend in with its environment. And there are cool shadows.

The lesson started with creating a three-color background in a random fashion. After it dried, we determined the subject’s position in the background and penciled it in lightly. In addition to making a lost and found edge at the bird’s wing and tail, I also practiced negative painting around the right edge and the talons. I enjoyed it and the work went quickly.

Day 21: Sonoma view

Bill took this photo from the upper deck of his brother’s house in Petaluma, CA. It could almost be a view of Oklahoma last week, when, pushed by high winds, fire raged barely five miles from our home.

I brightened up the foreground to see what exactly made up all those plants. Using three different mixes of green and some yellow ochre, I just played around with shapes until it looked done.

The first painting is 8 by 8. The other three are postcard sized. All were painted on Arches cold press paper.

Posted in painting

Wednesday Watercolor – a new-to-me Technique

Last Wednesday, at the art association’s open studio, Cheryl introduced the group to a technique of painting into wet paper using a credit card instead of a brush. She referenced the work of Lena Gemzoe.

Very intriguing, but clearly, it takes a lot of practice to get results this good.

For the class, I decided to use granulating colors that would settle out into the texture of the paper. Working from my imagination I attempted a mountain view, with a stream in the foreground.

To finish it off, I used my brush to make a tree, island and grasses.

Cobalt blue, Payne’s gray, raw sienna, burnt sienna, yellow ochre and a little white gouache on Arches 140 lb. cold press paper.

Posted in painting

Watercolor Wednesday: Rust

This rusty car was our assignment at the art association open studio last Wednesday. I think I got a pretty good likeness of the photograph. The hardest part was deciding when to stop.

I used a palette of raw sienna, burnt sienna, cerulean blue, cobalt blue and ultramarine blue. Painted on Fabriano Studio cold press paper.

Posted in painting

Sunday Sketching – Flowers

This month I signed up to take a class taught by the frugal crafter, Lindsay Weirich.

https://lindsayweirich.teachable.com/p/loose-juicy-watercolor-florals

Since today is Sketching Sunday, I am sharing a few of the quick and loose flowers that I have painted while following her instruction.

None of these took longer than fifteen minutes to do. They certainly help me fill up the blank pages in my watercolor sketchbook.

How are you spending your week-end? I hope you are making time for fun stuff.