Okay, so I’m making this zip pouch because Chris at Chrisknits can’t stop making them! They are just so darn quick and useful. You can check out her blog here:
Do I have what I need? Let’s see. The project requires about 1/4 yard of fabric each for the outer shell and lining as well as a zipper. This one is about ten inches long.
I also required the better part of a cup of coffee to get started.
The gold cotton damask on the left is left over from a bedspread I made about 15 years ago. This scrap has been used in an experiment with Dye-Na-Flow fabric paint. I applied the paint to the back side of the fabric, to see if the color would seep through the woven vines but not through the shiny gold parts. It sort of did that. Now I have a use for it.
I also have this scrap, printed with shiny gold dillweed stems. I’ll use it for the bottom section of the bag.
Instructions for this project come courtesy of Anna Graham, at Noodle-head. com. You can get the details here:
This is a qualified finish. I still need to quilt the border and bind the edges. But the creative work is essentially done. I chose to use echo lines to quilt the background. The work went swiftly and smoothly.
The cotton damask fabric is a joy to work with. I had the benefit of a fresh needle in my machine, thanks to the delivery of my on-line order from Bluprint.com.
Following the example of Lola Jenkins, I used Prismacolor pencils to color the image. I had never tried this medium on fabric before. But by working slowly and carefully, I managed okay, rendering shadow and highlights modestly. Here she is as of today.
Here is a close-up of the subject.
I noticed that a damask vine landed smack in the middle of her onesie. I didn’t plan that placement, but serendipity happens. So I chose to leave it unpainted and embroidered a running stitch around it.
At 18 inches square, this piece is a good size for framing or mounting on artist canvas. Perhaps the arts supply store will open soon and I can buy what I need. In the meantime, she will be tacked up on one of my foamboard panels, allowing me to admire her on a regular basis.
How many of you remember a time when fine dining took place on a table set something like this? Okay, don’t answer that. I’d like us all to maintain our youthful appearances. I do remember that time – perhaps 30 or so years ago. Back then I went to the extent of buying crystal glassware. But the silverplate and the damask linens were given to me by the generation ahead of me. Every once in a while I get out the silver. The pale pink damask napkins you see in the photo were a gift from my mother-in-law. I’ve never found a use for them that fits my current lifestyle. They have been in the back of the linen closet, unused, for almost twenty years.
But that ended this week, thanks to Lola Jenkins and Thread Art. While stashing away some other fabric, one of the napkins fell out onto the floor. Timing is everything! It came to me that I could sew a portrait on this pale pink piece of fabric.
The subject I have in mind is my grand-daughter, from this photo taken at four weeks.
Awww!
I decided to overlay this image onto one of a daylily. How about this one?
In the thread art process, the photographs are manipulated to size, and then the contour lines of the image parts are marked up. Here is the baby photo after marking.
I enlarged the flower until the baby could settle comfortably into the center of it. Oops, the baby is missing a foot. I manipulated one of the daylily petals to cover the place where the foot should be. After more fiddling, I came up with this.
Bill thinks this looks like an Anne Geddes photograph. I don’t care.
Now to transfer the lines to the fabric. This proved a little trickier than I expected. I first tried the chalky transfer paper used in traditional embroidery transfers. The lines were way too faint and uneven. Then I found, in the deep recesses of my sewing cabinet, an Aunt Martha’s transfer pencil. Using this tool, you mark up the back side of the image, lay the marked side against the fabric and press with a hot iron.
You get bright pink marks that ARE PERMANENT. But I am living by Lola’s slogan today – and Going For It! I will be covering all the pink lines with black thread.
For the best results, the quilt sandwich should include interfacing fused to the quilt top. I did that and then I cut the batting and backing, pin basted and started quilting.
Here she is at close of business yesterday ……………………
…………….And here is the image with all the contour lines stitched.
So far, making this fiber object has been challenging and fun! I’m so happy to have found a use for the damask napkins.
The next steps are to quilt the background and then add color to the subject. Lola Jenkins uses colored pencil. I will start with that medium, but I may experiment also with some fabric markers. After all, it’s time to go for it.
It’s been heart-breakingly beautiful outside over the past several days. The weather forecast for today predicts extreme thunderstorms. So I thought I would memorialize some of the garden’s spring perennials. They are so lovely, and their day in the sun is so short every year. Here are a select few.
Columbines
Peonies in front of Lorapetelum
Solomon’s Seal
Yesterday I finished sewing the last of three quilted buckets. This project is meant to yield a system for organizing and storing fabrics. While my stash is not large, it is somewhat unweildy for its size.
Three buckets holding fat quarter to one yard sized pieces.
That leaves the scraps. After a year of working with fiber, I have a much better idea of how I tend to use fabric in my projects. I particularly like using scraps in little strips to make small art quilts. Consequently I have become very reluctant to throw any of them away. Resulting in this:
Sorted by color family, they are even more beautiful and precious to me. Like the colorful spring growth only more enduring.
So I still don’t have a useable system for keeping this hoard in order, under control, and yet easily accessible. Reluctantly, I will be putting these gems back into the shoeboxes. Suggestions are encouraged. How do you keep your stash sorted?
By the end of Monday’s work, I had finished the piecing the fabric to my abstract. Rummaging through my spools of trim, I found some bronze colored satin cording. I couched it into the location of the sun, making this round object disrupt my perfectly angular image.
The next step is to decorate the surface. I always have to take a long pause at this stage. There are just too many options available to me – paint or embroider, hand or machine quilt, add more trims?
And how about all those embroidery stitches on my Bernina?
While I ponder my options, I will just enjoy the wonderful geometry and colors of my work in progress.
Daily Fiber 