This painting started life as a practice sky. I stroked ultramarine blue over the top 2/3rd of the paper, let it sit, and then lifted off the cloud shapes with a wet paper towel. Today I added the sea and sand with inspiration from a photo by Cristian Cabral on Unsplash.
I chose this image because of the foamy waves and dark-colored sand with footprints In addition to the Ultramarine blue I used raw sienna, burnt sienna, paynes gray and a tiny bit of new gambose to make the trees a bit green. Paper is Fabriano Studio cold press cut to 6×9 inches.
You can view more images by this photographer here:
During my lessons with Ross Meyers, I wanted to learn how to paint a portrait. He had given a good lesson on drawing faces. Now I was ready to paint one. I found this photograph on Unsplash to use as a reference. (Unsplash.com is a site where photographers give permission to download and use their images. without attribution.)
I liked that it was a very clean close-up of a young man. I saved the photo in black and white format in order to simplify the values. Then I did a contour sketch at home on water color paper and brought it to class.
The first question I had was about pigments suitable for portraiture. Ross suggested yellow ochre, burnt sienna, alizarin crimson and burnt umber. I didn’t have the umber, so I got out payne’s gray. He demonstrated the first wash – over the face and hair. While it was drying, I moved on to another painting. I never made it back to this painting until yesterday.
Starting with the same palette, I painted the neck and the lips, brows and eyes. Next I increased the shadows and added more details to the face.
I decided that the background should be a dark color. I chose violet, but mixed it with indigo so I could get some texture and granulation.
Today I added more shadow and beard stubble, painted in the eyelashes and put a pale grey wash on the T-shirt. Here is my young man now.
While my version is not an exact rendering of the original photograph, I am very happy with this finish. He looks a bit exotic – I think it’s the long Roman nose. His face is slightly tough but with softness around his eyes.
After this effort, I am feeling more optimistic about painting people’s faces. Maybe I will try painting a family member now.
Daily Fiber 