Posted in colorwork, drawing, painting

More Fun with Watercolor Pencils

If you follow this blog, you may well guess what my next experiment must be:

Yes! I had to try my new pencils out on fabric! You see here a piece of cotton muslin. I have marked a part of a rainbow, running the colors into each other. After liquifying the colors and letting the fabric dry, I used my hot iron to set the pigment. Then I sprayed on more water, just to see if the color bled further. The paint passed this test, so I moved on to a bigger experiment.

There is something about the medium that reminds me of stained glass. Thinking deeper about the possibilities of blending colors, I decide it is more like medieval illuminated manuscript. Then I remembered that I have a book.

What if I reproduce one of these paintings on my muslin cloth? I flipped through the pages to find a likely subject and landed on this image depicting the creation of the world.

First, I drew a series of four circles on the muslin. Next, I used my swatch card to find matches to the hues of the illustrations. I began working the two days on the right side of the panel.

DAY TWO
DAY FOUR

This was very fun and pretty satisfying. Despite the slight bleeding outside the margins (totally fixable) I find the results most acceptable. I did notice that there are tide marks left behind by some of the blue and green pencils. But this extra texture seems very much in keeping with the pigments and style of the era.

After I paint days 1 and 3, I’ll put the fabric in a gentle cold-water bath to look for more fading or bleeding. If the piece passes this test, I’ll move on to a bit of quilting.

I hope you are enjoying your year-end holiday. Please do let me know what you think of this experiment or share what you are planning to make in 2023. Happy New Year.

Posted in drawing

Sunday Sketches

I spent some time this week-end preparing for a class in printmaking. This will be an introductory class for me, since I’ve had no previous training in the art. After dreaming up a few ideas for print images, I started sketching them out. Here’s what I came up with in the space of a few hours.

To start, I went to my photographs of Belize for inspiration. Here is one that I snapped of the beach as seen from our front porch. The view faces east and the time is shortly after sunrise.

Nice, huh? The tree and hammock are silhouetted against the water and sky, so I made them the primary subjects. Keeping in mind my inexperience with carving a print block I vastly simplified the scene. I also chose to reverse the tones and turn day into a night with the moon rising.

Next I went through previous saved photographs. This is one of a monarch butterfly I downloaded from a free use site. I was attracted by the strong contrast of its black body and wing edges with the warm background

For my third sketch I worked from my imagination. I wanted to play with a basketweave pattern, but in an unusual context. The idea of a cloak came to mind.

The class took place yesterday. It went well and I had a great time. I’ll show you the subject I chose and the block and print I made in the next post.

Posted in painting

Experiment upon Experiment

I had an inspiration recently to try painting some converging curved lines that I saw in a photograph. While perusing my supplies, I came across some 8 by 10 boards with paper stretched on top, promoted as suitable for watercolor paints. So I thought I would test them with my current inspiration.

Boards with curved lines drawn in colored pencil

I plan to use staining pigments, starting with quinacridone rose and Thalo blue in the first two blocks. Why pink and blue? I think my brain was lingering on the yarns from my latest knitting project. Cast-on Monday – Summer Style

It took a little work to get the paper wet enough to lay on the wash. But eventually the paper was evenly wet and I laid down the paint using my biggest round brush.

So far so good. At this point, I was happy that the paper/board seemed to be performing well. After allowing the paint to dry overnight, I added two additional colors – gold and violet. This time, I let the colors bleed into the pink and blue, as a way to merge the two together. The work began to remind me of gender roles and society. Why? Again, the pink and blue, and the way the curves leveled out while flowing in a parallel fashion across the paper.

Here is the board immediately after laying down the two additional washes.

And 30 minutes later……

And here after completely dry.

Analysis: I’m not terribly sure what I am trying to say about gender and society. Something about shifting lines, blurring edges and the pressure to conform.

But the experiment on the watercolor board was successful enough to persuade me to try it again.