Posted in colorwork, drawing, painting

100 Day Project: Days 1-5

Last Wednesday I wrote about my 100-day project, during which I will collaborate with Bill in making artwork or fiber objects inspired by his photographs. These three are the subjects of my first week.

Back in 2017 at the Kansas City Zoo, Bill has a close encounter with this lorikeet. In his image you see plumage in colors that, impossibly, co-exist on one bird. I accepted as my challenge to swatch out this feathery palette in watercolor paint.

Day One: Samples

Day Two: I turned it into a color wheel.

In 2010 we visited The Louvre. While I wandered around, Bill found this sculptural fragment in the Antiquities gallery.

My initial idea was to do a simple drawing using Micron pen. To get a better look at the details, I edited the photo, brightening up the shadows, then printing it in monochrome.

Day Three: Drawing

It actually took me two days to finish the drawing because I chose to stipple.

The next photograph was taken while vacationing in the Caribbean, but I am unsure if we were in Barbados or Belize. I really love the wave action and the colors.

My brain must have mashed up the last two photographs because I ended up superimposing the face onto the water.

1st Week Final Note: Searching my yarn closet, I found scraps to match up with the Lorikeet plumage. Today I used them to knit this swatch in fingering yarn.

What do you think of the combination? Would you wear it on a hat, scarf or vest?

See you next week.

Posted in Uncategorized

Inspired by Photographs: A Collaboration

My imagination was captured by the 100 Day Project Challenge. The idea is simple: choose a creative project, do it every single day for 100 days, and share your process on your social accounts using the hashtag #The100DayProject.

https://www.the100dayproject.org/

After thinking about aspects of my work that I want to improve, I hit upon the idea of collaborating with my husband, Bill. He is a dedicated photographer who carries his Canon with telephoto lens everywhere he goes. Consequently, he has an immense library of images. So here is what I suggested to him:

Process: From his library of photographs, he will curate several dozen into collections with prompts generated by me. From that point, I will create artwork based on the images, working daily for 100 days.

Guidelines: There are almost none. Back and forth consultations between photographer and artist are encouraged. I agreed to publish his photographs only if they are stamped with his mark.

Here are the prompts I provided to Bill:

  • Atmosphere
  • Best of the Birds
  • Creatures Great and Small
  • Faces
  • Gardens
  • Kids’ Stuff
  • Light Effects
  • Mineral
  • Photographer’s Choice
  • Rural America
  • Seasons
  • Transportation
  • Urban Architecture
  • Vacation Favorites
  • Waterscape

My plan is to work daily, but post on this site only once a week. I have no idea how many paintings, drawings, sketches, quilt blocks or knitted swatches will be made, so it seems easier just to group them.

And here are the images I have chosen for study the first week of the challenge.

Photographs by Bill Riley, reuse by permission only.