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Fabric Strips Saga: Chapter Three

My obsession with strips continues. First, let me share an image of the pieced abstract landscape that I have been working on most recently.

The work at this stage looks about as I expected, although I feel kind of let down by it. I’m also stumped as to how I will proceed with the surface embellishments and quilting. As I ponder, I have laid it aside.

Leftover strips are hanging out, and they keep drawing my attention. I started noodling around with them, cutting and sewing together. Since I had used the 1- and 1/4-inch-wide strips for the landscape art quilt, I wondered what else I could do with this size. Pulling out some 2 and 1/2 inch scraps, I start sewing strips together, again.

Well geez, first I need a little bit of structure to this game. How about a palette? I decide to try analogous colors. Pulling out my color wheel, I spun it around to show that teal blue color in the center, surrounded by its four closest relatives.

Now I am really in my comfort zone. My stash contains many scraps in this range, leftovers from some favorite projects.

If I sew two thin strips on either side of a 2 1/2 inch precut, then cut that piece down to four inches, I get a nice-looking square block. I decided to stick to monochromatic fabrics for each. Here are some examples.

Combining four of these gives me a seven and 1/2 inch square.

What if I sew four of these together?

Hm. To me it looks too busy while also looking kind of boring. I can do better.

How about inserting some sashing? I have a longing to try dark background fabric with this palette.

Now we’re talking. But to get more negative space into the picture, I could put the blocks on point and space them out with a background block.

Ah, the drama it beginning to happen. I sit down with graph paper and plot out a lap sized quilt using this on-point configuration.

This could be wonderful. Perhaps I can create focal points in the dark blocks by inserting some bits of hand-painted fabric. Something like this leaf, which is left over from my very first quilt.

Gosh I feel better. Going from a vague notion to a planned design is so satisfying. Even though I had no intention of sewing up another lap quilt, I’m ready to go. The trick will be to buy as little fabric as possible and still get the look I want. I’m up for that challenge as well.

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In Progress: Pieced Landscape Art Quilt

Today I’m catching up on the abstract landscape quilt that I started in mid-May:

Obsessed by Strips

I would say nothing has changed, but I would be lying. During the planning phase, I started to think about Japanese quilts – most likely because I recently purchased two books on modern Japanese quilting by Susan Briscoe. She is a textile artist who worked in Japan for many years as an English teacher. In her book, Japanese Quilt Blocks to mix and match, she features 125 patchwork, applique and sashiko blocks in a modern style that is inspired by tradition. Textiles recycled from kimonos and other garments give the blocks an Asian look.

Consequently, I decided that my original plan was not abstract enough. I discarded the house block already constructed and made one using the Japanese block called Sunken Hearth.

In fact, I made two hearth blocks – one in bold colors for the middle ground and one in faded pastels for the background. This second block is located half-way up the mountain in the foggy part of the landscape.

I redrew the upper right corner of the design from clouds into a mountain. You could think of it as Mt. Fuji. The fabric is a white-on-white print of spirals, suggestive of clouds to me.

As of today, I am about 2 thirds finished with the piecing phase. I have completed four rows out of seven.

By the way, I have a new favorite tool:

This flexible flat-bottomed shape is a technical drawing tool that belongs to Bill. He got it back in his college days for a class. Using this tool, I can match up a long curve which crosses over two different blocks. I Love it.

One more Japanese touch will be added to the lower right corner. In the reference photograph, there is a group of red-twigged shrubs behind a stone wall. I plan to use the Pieced Ogi, aka Folding Fan, to abstract this feature.

Are you making something from your scraps? Do share.

Posted in quilting

Obsessed with Strips

Since completing the Japanese Knot bag (which turned out quite well, IMHO,) I keep thinking about the potential of making art by sewing strips of fabric together. Casting around for some inspiration, I thought about making another abstracted landscape art quilt. Last year’s landscape quilt was inspired by a visit to the Badlands at Roosevelt National Park. My technique of choice for that piece was layered applique. It interests me to try another landscape but this time piece it with blocks made of fabric strips.

In searching suitable references, I returned to this evocative photograph by James Kemp which I had found on Unsplash a few years ago.

james-kemp-bXFEiuZtk64-unsplash

I love the contrast of pale foggy high places, with a midground of dark trees and a foreground of warm grasses and red twigs. If I can simplify the big shapes and translate the photo’s colors to fabric scraps, it could work.

Next I did a quick, scribbly value sketch.

I transferred the major lines to a giant Post-It note, which happened to be full-size for this project. I next drew in a grid of 4 x 4 squares. Using 4 inch blocks, I will need to make 35 blocks.

I started cutting my strips and sorting them by color.

Using the image as my guide, I built sets of six strips, arranged them along the grid and cut them down into squares.

The whole project started to spin out of control. Weirdly enough, instead of getting frustrated, I was drawn into working with more effort and thought.

Two days later, things looked something like this.

No, look away Nothing to see here!

Ah, more like this.

Sad little blocks. Believe me, it does look better IRL than in this photo.

I predict that if it keeps raining, and I can’t go outside and play, I’ll continue to cut, strip and sew on this project.

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Finished Object Friday – Quilting

After three months, I have finished the pet-friendly quilt that started with this fabric.

Inspired by Rayna Gillman’s improvisational piecing technique and using a combination of log cabin and strip pieced squares, I designed a pair of blocks I call Dog House, Cat Barn.

The blocks finish at 12 inches square. But how can they turn into a bed quilt? After mulling it over for awhile and making several sketches on graph paper, I found that I could fit four blocks across five rows to come up with a twin-size quilt. To create balance, I staggered the rows by four inches with a spacing strip, alternating between left side and right side every row.

I also felt that the balance would improve if the center row was different. Thus was conceived the Pet Condo construction project in “mid-town,” (if you will permit my flight of fancy.)

Four inches of sashing in a grey polka-dot fabric between the rows made a “street,” giving the animal neighbors a nice boulevard for walking over to visit. With my concept complete, I re-named the quilt Animal Friends.

Oh, another group of animal friends were introduced via the background fabric: Our hardworking and very dear bees.

The Animal Friends quilt measures 57 by 84 inches. It was quilted with a combination of walking foot “stitch in the ditch” and free motion stitching on my Bernina.

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Yesterday’s Work

In this post, I am continuing work on the Animal Friends quilt project. Yesterday afternoon was occupied with sewing together many strips that I have cut. They were sewn into two groups:

Three Across
Four Across

I also made another block. This one features a cat sitting in the hayloft of a barn.

For the weekend, I will continue making blocks by grabbing an animal square and a strip set randomly, then doing my best to make blocks that amuse me.

I think this will be a good activity for what may be a cold and (possibly) snowy weekend.