Posted in drawing

Lino-Cut Fun

On Sunday I posted the sketches that I did in anticipation of a print-making class I was planning to attend. Today I’m showing the fun stuff I made at that class.

The instructor, Justine Cherwick, was quiet, modest and thoroughly prepared. She started us off with a circle-in-a-rectangle design for practice. Each quadrant was carved in a different design.

Stamp and Print

That was quite easy and very satisfying. Next, Justine transposed our initials in reverse on a blank block and we carved stamps of them.

So far, so good. For our third exercise, we each selected from a group of Halloween designs to carve a 3 x 4 block. I loved this cat with a skull and sickle.

The stray faint lines and dots you see around the edges of the main design are called “noise.” Some artists like this effect, others not-so-much. It’s easy to carve them off after you’ve done your test print.

And now for the big finale. I chose to carve the beach scene. Here is my sketch.

You will have to imagine that the dark marks will become white and the white background will print black. Here is my finished block.

And my print.

For a first try, it’s not too bad. Good enough to encourage me to try making more lino-cut work.

And finally, here are the Halloween postcards I printed and sent to the grandkids.

Dressed up with some echo lines.
A touch of orange and a barbed wire border
Posted in painting

Special Delivery Sunday

The doorbell just rang and I knew that my package from Amazon was here.

I have enrolled in a class on printmaking. While I have made a few stamps to use in my painted fabric projects, I have never been very satisfied with my efforts. Part of my difficulty was due to inexperience, but mostly it was due to poor tools and materials. So when my art association offered a class I was keen to enroll.

The instructor suggested that students purchased this Lino-cut kit.

It seems to have every tool needed to cut and stamp a mono-print, except the paper, of which I have plenty.

And while I was looking for something else to buy (you know, so I could get free shipping,) I found this porcelain palette at a very affordable price.

I don’t need 18 wells, but I do need a large area for color mixing. In the past I’ve tried larger plastic palettes, but was disappointed by their tendency to get stained. This porcelain palette will not stain. And Bonus! When I turned the palette over,

…the reverse side had 12 mixing areas. That’s a useful option.

Now, of course, I’m itching to get out my watercolors. ‘Bye!

Posted in colorwork

Experiment with stamping

While shopping yesterday, I discovered some fabric ink pads seriously discounted.

This is something I have been wanting to try for some time. I have done a little bit of stamping/printing using fabric paints and homemade stamps. I’ve never been quite satisfied with the process and medium. The fabric paints start to dry and clump before I have finished my project. This results in a lot of wasted paint. So I am intrigued to try stamping with ink instead.

First I made a color swatch using some square stamps.

I like the red, blue, green and magenta the best. When stamping yellow over blue, I noticed that the inks blended – a desirable trait for my work.

The instructions say to let dry 24 hours and then press for 3-5 minutes to set the ink. This morning when I pressed the samples, I noticed that they weren’t quite dry. But by this afternoon they seemed okay. I quickly made up some triangle stamps out of foam pieces with the idea of stamping an angular rainbow on white fabric.

This was fun.

Next I tried the ink on a pale gray printed fabric. While my stamping technique was a little crude, I thought that the result was okay.

My verdict: I’m glad that I paid so little for these ink pads. It took a lot of color worked onto the stamp for each press, and the color intensity on the fabric was lacking. I’m also not thrilled that it takes so long to dry. Do any of my fiber arts friends have a product that you would recommend?

Posted in colorwork, painting

Consolidate. Gestate. Internalize.

For the past three days I have been irresolute about making new fiber objects. I haven’t been idle – not a chance of that! But I felt more internal about my efforts than external, that is, not ready to show or talk about them.

Consolidate: (verb) 1. to join together into one whole. 2. to make firm or secure.

Gestate: (verb) to conceive and gradually develop in the mind.

Internalize: (verb) to incorporate within the self as conscious or subconscious guiding principles through learning.

If you ever start to feel you are stuck creatively, I suggest you reframe your status with the verbs above. It could be that you are not stuck at all but are internalizing.

A week ago, I agreed to offer fiber arts lessons again to the local homeschool association. To keep from being overwhelmed, I suggested that I teach project or workshop-type lessons. So part of my time has been spent on writing syllabi for these workshops. The first topic is crochet. I propose to teach crochet in the round.

View of my worktable with two crocheted baskets in use.

I finished the syllabus for this workshop and made this sample.

It has been a while since I’ve created with yarn. It felt good to get back to it.

Secondly, I have been fooling around with pattern and paint on my color washed fabrics. Using foam, felt, cotton yarn and cardboard, I made these stamps.

Stamps sitting on color wash sample

I then proceeded to use them on this sample as well as a dark gray sample. My paint selection included Jacquard Textile paints, which are semi-transparent, Pebeo Setacolor opaque white, and some metallic acrylic paint I had laying around. Here are my doodles.

I’m loving the dark sample, especially the way the white opaque shapes and the glittery bronze shapes jump forward from the brooding background.