Posted in painting

More Fun with Printmaking

Today I got out my lino-cutting tool to make another stamp based on a sketch. Last week I drew this monarch butterfly, referencing a free-use photograph from UnSplash.

Using tracing paper I transferred the drawing to a softcarve 4 x 6 block. It took me about an hour to carve out the image.

I did a few test prints and touched up the lines a bit. Here is the ink that I chose.

I find the types of stamping ink very confusing. Also, I paid $5 for this pad and there is hardly any ink in it. Eventually I got at least one decent print on a sheet of Canson Smooth Bristol paper.

While there are a few too many “echo lines” for my taste, I decided to carry on. Next came color. I was keen to see how easily paint would go over the permanent ink. I wasn’t terribly concerned that the black would be covered up, since watercolor paint is transparent.

I finished off by adding a little Micron pen – doing some stippling in black and drawing lines in yellow and orange to represent some of the details that I observed in the reference photograph.

I think this came out great. I will probably make several of these prints to use as greeting cards.

If any of you crafters out there in the blog-sphere have a recommendation for printing inks, please share.

Posted in painting

Special Delivery Sunday

The doorbell just rang and I knew that my package from Amazon was here.

I have enrolled in a class on printmaking. While I have made a few stamps to use in my painted fabric projects, I have never been very satisfied with my efforts. Part of my difficulty was due to inexperience, but mostly it was due to poor tools and materials. So when my art association offered a class I was keen to enroll.

The instructor suggested that students purchased this Lino-cut kit.

It seems to have every tool needed to cut and stamp a mono-print, except the paper, of which I have plenty.

And while I was looking for something else to buy (you know, so I could get free shipping,) I found this porcelain palette at a very affordable price.

I don’t need 18 wells, but I do need a large area for color mixing. In the past I’ve tried larger plastic palettes, but was disappointed by their tendency to get stained. This porcelain palette will not stain. And Bonus! When I turned the palette over,

…the reverse side had 12 mixing areas. That’s a useful option.

Now, of course, I’m itching to get out my watercolors. ‘Bye!