shibori – Daily Fiber

It’s been a while since I shared the turtle in the pond fiber object. As a reminder, it was inspired by a photo taken by Bill on a recent camping trip at Lake Montgomery.

I loved the light, the colors and the texture of this image. I knew right away that I want to create my own version in fabric.

Here is a recap of how I processed this inspiration. First of all, I used fabric paint and the Shibori technique to render the background on cotton fabric.

After the paint dried, I added another layer to render some shadows. Next I painted the two halves of the turtle onto white fabric…….

I chose to let the upper part of the turtle shell rest above the water line.

……………..… and appliqued them to the background using fusable interfacing.

This is how things stood while I pondered what other elements would enhance the image.

I decided on a few damselflies. More images by Bill were consulted. I picked three beauties, hand embroidered the bodies with floss and machine stitched the wings.

You can see the water plants I added in the foreground using applique and paint.

I sewed on a black border and then paused. This week I finally got around to quilting. My intent was to make the stitch lines look like pond ripples.

**How did I do? Are they watery enough?**

It took a lot of pondering and a dose of courage to add the turtle’s reflection. The only real option was to hand paint it using opaque Setacolor. So I did.

And here is the finished project.

This fiber object is now a wonderful reminder of a very special camping trip.

Lately I have been so inspired by the fresh green-ness of springtime. I am eager to make fiber objects that memorialize what I see. While viewing some of Bill’s photographs from our recent camping trip at Lake Montgomery, I was amazed by his images of red-eared slider turtles. They were paddling around in a quiet inlet. The colors of the surrounding trees were reflected in the water and bent by its ripples. That water surface reminds me so much of silk moire. I would love to re-create the image in fabric.

To get started, I reach for my old stand-by medium: Jacquard Dye-Na-Flo.

I’ve mixed up a leafy color by blending yellow, green and a bit of orange. Black will be dabbed on in small quantities.

I think that I can manipulate the paint into ripples by sewing the fabric into pleats – much like a Shibori technique. Studying the photograph, I organize the pleats by direction and number to match what I see.

The fabric is wet thoroughly. I don’t want any of the fabric inside the folds to remain white. Then I sponge the green paint onto the top and bottom sides of the fabric. A little extra paint, including dabs of black, is applied to the edge of the folds. Here is my piece after the painting is finished.

The fabric will need to remain tied up until it is thoroughly dry. This technique works because the parts of the fabric that dry fastest hold the most color. The slowest drying sections will be the lightest in color.

And here is the finished, pressed cloth:

It may be difficult to tell from the photograph, but yes, this fabric is completely flat. I was pleased. There is an uncanny resemblance to the lake water in the photograph.

My next step will be to imitate the ripples by brushing on thicker textile paint. It will be interesting to see if I can do it.