Posted in quilting

Wednesday: Considering a new project

At present, I have various works in progress and finished objects that I could write about today. But January is the month that Quilting Gail and her co-horts begin work on the annual Stay at Home Round Robin quilt. So I am pivoting.

During the past three years I have participated with joy. I’d really like to continue round robin-ing this year. But I am in a quandary about my center block. Thinking about SAHHR in December, I had the idea to use paper pieced squares in this year’s center block. I but never got around to making them. Now, feeling pressed for time, I’m reluctant to work on a deadline in a technique in which I have little experience.

This morning, I decided the answer may lie in the objects I made during my first year of practicing fiber arts. It was a time when I was bursting with ideas but short on skills. As I rummaged through my portfolio from 2019 to early 2020, I found six fiber objects with potential to become a center block of a small quilt.

Shall we audition them together?

Candidate 1:

This was an early experiment with fabric paint. I took two different paintings, cut them into strips and wove them together, using satin stitch to close up the cut edges.

Candidate 2:

This is a rejected block from my oakleaf hydrangea wall-hanging. The background is covered in snippets of hand embroidery with irregular blanket stitch on the edges.

Candidate 3:

I was discovering what fabric markers can do. This painting is done on lightweight muslin and would need to be mounted on sturdier fabric.

Candidate 4:

A mini art quilt, this was inspired by what I saw in my head with eyes closed during a yoga class. I was practicing curved edge piecing.

Candidate 5:

Inspired by one of Bill’s photographs, this block was a practice piece for a larger work I never completed. The technique is confetti applique. While I would consider putting this one in an SAHHR quilt, I’ve yet to give up on my original concept.

Candidate 6:

A very early experiment in fabric painting, I “saw” a scene of a mountain area recovering from a forest fire. The initial paint application was enhanced with brown stamps of bare and broken trees. The middle ground is meant to represent fireweed which moves in quickly after a fire ends.

This last block is the one I am leaning toward the most. I have some ideas for expanding on the theme of environmental devastation and recovery.

What do you think about my options? Even if you are not a quilter, I am interested in learning the block that attracts your eye the most. Which one has the highest potential from the aspects of design, color and originality?

Posted in quilting

SAHRR 2023 Round 5: Square in Square Saga

Now I know why this quilt along is called a challenge. Round 5 proved to be the most time-consuming and frustrating of all (so far.) My decision to use recycled quilt blocks turned into a bad idea. You see in the photo above the results of many hours work harvesting suitable fabric pieces for square in square blocks from the pineapple blocks. Oh boy! By Saturday, I had made enough blocks to build two sides.

I plan to edge these pieces with gray strips, bringing the finished block size to 7 inches. Six blocks will fill a border, with an additional two at top and bottom points. But first I attached a two-inch coping strip.

Here is the proposed lay-out for round five.

I bought the squiggly line print because it made me happy, and it looked like a nice transition between the pale grey and dark gray. Next, I assembled my first border.

And here is how it looks attached to the quilt

If you are enjoying the SAHRR Quilt challenge and want to check out the work of other participants, visit Emily’s blog, The Darling Dogwood.

http://thedarlingdogwood.blogspot.com/

There will be one more round. If I survive that, then I think that I have the ability to finish this quilt.

Posted in quilting, recycling

SAHRR Quilt Challenge 4: Water

Pieceful Wendy chose the pattern for round four, and it’s one I had never heard of before now: Signature blocks. This type of block is often used to provide spaces for people to write stuff on your quilt. They are very popular for special occasion quilts like weddings, baby showers, graduations and so on.

Wendy created her Signature blocks by cutting into a square on the diagonal.

That design will not work with in Water section of my quilt, where I plan to add the signature squares. Water, especially lakes, are filled with waves. So I came up with a wavy style block by free-form slicing into a square piece of fabric, where I inserted a pale peach curve.

Prototype signature block with a curve.

Here is the centerpiece of my water block where I will attach the signature squares. It is made of Margaret Howard’s weaving swatches. I hand-stitched a small blue one on top of a pastel peach brocade.

This says “lake” to me.

Next I made a bunch of curved signature squares. Here’s the first group.

I started at the top of my block with a strip of three of these little darlings.

I’m thinking that the curve will provide a good place for a line of sashiko stitches to echoes its shape.

Next I made two strips to add on either side of the center block. Before I attached them, I added a plain blue strip at the bottom to anchor the design.

FINISHED WATER BLOCK

I’m happy with the resulting block. It’s about 18 inches square right now. After I square up the edges it will probably become a little smaller.

To see the other Stay At Home Round Robin participants’ quilts, follow the link.

https://fresh.inlinkz.com/party/26f3167a028d45689c82a40df41c3a40

Posted in quilting

SAHRR Quilt Round 1 Challenge

I was so glad that Anja chose the prompt of Curves for the first round of this year’s Round Robin quilt along. In working with the vintage weavings chosen for my center block, I had observed that the maker had used lots of curved lines in her color patterns. Some were vine-like, some looked like hairpins and some are just little wriggles. I was keen to echo these curves in the quilt as I built it.

To start my round, I chose four fabrics with colors and patterns that reinforce the theme of the four elements. I am using the linen-colored background fabric to make the other side of the curve. Next I made a little template for the corner blocks. These will have a quarter circle in the inside corners using the background fabric. Here are my pieces, cut and ready to be sewn.

First I joined strips of two different colors for each side of the block. Then I cut strips in the background fabric to match the length of the block sides

After sewing together the corner blocks, it was time to make my curves. With the front of fabric facing me, I overlapped the two strips and just sliced a curve through the center of the strips with my rotary cutter.

Here is the first side sewn together and ready to attach to the center block

And here it is, sewn and pressed.

Side two and one corner block are added.

Working carefully, matching up edges as well as I could, I finished this round in about three hours. Here is my block, pressed and squared up.

I like the way the dark colors draw the eye to the three woven pieces,
which are outlined in the background color.

It now measures 18- and 1/2-inches square and is ready for the next round. I had no trouble with the woven samples shifting or bunching. I think my tactic of backing the pieces with muslin did the trick.

If you would like to see how other participants are making their curves, check out the linky-party, below.

https://anjaquilts.blogspot.com/2022/01/stay-at-home-round-robin-round-1-curves.html

To learn more about the Stay At Home Round Robin event, visit Quilting Gail’s blog.

Posted in quilting

Giving it Form

The process of making up a quilt from scratch has many challenges. One I face today is building my Stay At Home Round Robin quilt around another maker’s pieces. None of the swatches are the same size or shape. How can I fit them together?

Here’s how I went about finding an answer.

The first step I took was to get them as flat as possible. Each swatch was hemmed by hand on the warp edges to keep it from fraying. As I began carefully picking out the stitches, I marveled at the how small each was. That got me to thinking about the maker, Margaret Howard. And I began to imagine her at her cottage on the lake, where she lived three months of the year. (Since this cottage is still in the family, and I had been there several times, my imagination has lots to work with.)

I imagine that, despite the passage of years, the grounds surrounding the cottage are very little changed. There are towering trees, both deciduous and coniferous, providing lots of shade. The path through the trees to the cottage are lined with wood ferns, all the way up to the door itself.

Photo by Mike Krejci on Pexels.com

Margaret is sitting in the main area of the cottage, sewing this hem. She has a view of the lake through a large picture window. While the trees now are quite tall and obscure this view, back then she likely could see the lake easily.

There were other families, her relatives, staying in cabins nearby. Each evening as the sun sank low, they gathered on the shore to toast the passing of the day. I feel certain that Margaret would join them. That bit of the beach is on the east side of the lake. The sun sets directly across the lake from this beach.

Having been there during one of these sunsets, it’s hard to describe exactly how beautiful it is. When the waves on the lake are gentle, one feels that the lake is bringing the colors of the sunset directly to one’s feet, like a precious gift.

A contemporary view of Shell Lake, with a new metal dock.

Back then, the silence must have been profound.

Of course, on special occasions, or when the air is too cold, a campfire is a must.

Photo by EKATERINA BOLOVTSOVA on Pexels.com

At this point in my musings, I brought these ideas together, and came up with a plan for the quilt. If you have been following this project in my earlier post, you saw that I sewed together three swatches to form the center block.

What if I divided the rest of the quilt into four sections, making a large block to anchor each section. And each section would show one of the elements enjoyed by the maker at her cottage on the lake – woods, fire, water, sky. Thinking more deeply about these elements, I realized that they corresponded to the basic elements described by ancient civilizations of the world: Earth, Fire, Water, Air.

To tie everything together, I did some research on the colors that the ancients associated with these elements:

Earth: Green and brown. Fire: Red and orange.

Water: Blue and pastels. Air: White and yellow.

And here is my (somewhat crude) plan for the quilt, sketched in watercolor.

This is my first go at the layout. I’m not sure about the dark sashing. But there will be plenty of time to audition some other fabrics as I work along.