Tag: painting from a photograph

Posted in drawing, painting

Sketching Sunday and a Finish

Posted on by Laura Kate

My art association is planning to hold a second fundraiser by selling 6 x 6 inch artwork created by their members. To kick it off, there will be an open studio today. I want to support this worthy organization, so I will be participating again. Last year, I focused on small subjects for the small canvas. Going through my reference photos in search of suitable subjects, I came across this little sea turtle. It is something I dowloaded from Unsplash several years ago.

Cute and easy, I think. I like that the turtle has made it to the water’s edge. Just another little push and she will be launched.

To reframe it into a six by six size, I compressed the image and did this pencil sketch.

Today I will take this drawing to the art center and turn it into a watercolor painting.

On another subject, I managed to finish the landscape painting of a seaside cabin in Iceland. This painting was an exercise in water reflections.

Reference photo:

The weather is completely clouded over, so no shadows to paint. My painting:

It’s on a not-so-big piece of cheap watercolor paper (although it is 100% cotton.) So I didn’t fuss over the many windows in the cabin. I will need more practice on painting reflections, to get a more consistent effect over the entire water surface.

Posted in painting

This week’s watercolor work

Posted on by Laura Kate

Hi, Friends,

When I finished the 12 week Artist’s Way course, I made a commitment to myself to follow up with 90-day self-nurturing plan. It includes a concrete plan of action to write daily, take myself on an artist’s date once a week, and explore more fully my favorite creative practices. One of these is watercolor painting.

My “date” this week was to attend a workshop at the local art association, which took place on Wednesday. It included a one hour tutorial by Tony Couch. Today I am sharing the practice pieces that I painted as a result of the workshop.

Tony talked a lot about what the landscape artist paints. He insists that we don’t paint a tree. We paint a symbol of a tree. We don’t paint water, we paint a symbol. Symbols have specific characteristics that make the objects instantly recognizable to the viewer. For example, for a deciduous tree the characteristics are shape (round crown), colors (varies with the season) and textures (expressed by the leaves and the bark)

Painting the symbol of a tree.

Painting a symbol of still water.

To practice the still water technique, I painted a scene from Iceland. It’s based on a photograph published on Unsplash – a free use site for photographers and other artists. Here is the reference photo:

I started with the sky and worked my way down to the water.

Initial washes are complete. I will come back to deepen some areas and add finishing details. This was painted on a Stonehenge paper block using a palette of Hansa yellow deep, Winsor green yellow shade, ultramarine blue, pyrrol scarlet, quinacridone red, carbazole violet, burnt umber and Payne’s gray.

Posted in painting

Friday Finish: Two Dog Portraits

Posted on by Laura Kate

I got both paintings finished on Tuesday and took them to the framers. It was in the Nick of time to get them matted and framed before Christmas. I felt lucky to have made the deadline, without knowing the deadline!

The framers did a computerized mock-up of the portraits with my mat and frame selections. I snapped a quick photo of the mock-up on their computer screen and sent it to my client. She was elated, despite the poor quality of the image.

What I hadn’t foreseen was the framers keeping my paintings while the job waits in line to be finished. I have been spoiled by my past experiences, during which the mats were cut while I wait. Without the painting on hand, I can’t do anymore “final adjustments.” On second thought, that’s a good thing.

Here are the last photos I took before rushing off to Hobby Lobby.

Daisy Final

And Reggie:

Finished sizes are 6.5 by 9.5 inches, or as close as the mat cutter can get to that size. The dogs will be matted side-by-side inside a 13 x 19 inch frame opening.

I used Arches cold-press paper. Pigments include raw sienna,

Posted in painting

Chasing the Sunset, Iowa

Posted on by Laura Kate

Returning home, yesterday, this is my quick warm-up painting. I wanted to try out a new pad of watercolor paper and my new imitation Kolinsky brush.

I did have a reference photo. It was taken by Bill, not this trip, but in a previous one. We were driving west on Interstate 80, east of Des Moines. Just after the sun went behind the clouds, we pulled off the road and stopped in front of a furrowed field.

Thanks for viewing.

Posted in knitting, painting

Friday Finishes (Yes, two!)

Posted on by Laura Kate

It’s been a pleasant and productive week for me. You see in the image that I have finished the second sock of the Mary Delany pattern.

This is the first time I have stranded two yarns across the heel. For the past few years I have been seeking construction techniques that reinforce the areas of the sock foot which always get holes. Logic tells me that two strands are stronger than one.

I used one blended yarn and one all-wool yarn. Fiber content includes acrylic, alpaca and sheep’s wool. Time will be the measure of success in this test of tensile strength!

The pattern is by Kate Davies, and I will again insert the link to it. I must confess to substituting another Fair Isle pattern for the pattern’s. Your results will vary.

https://www.ravelry.com/patterns/library/mary-delany

My second finish of the week is the Winter Birds watercolor painting based on Bill’s photographs. My composition is compiled from three of his photographs.

The two chickadees are cozied up to a pinecone, with the pine’s branches and needles as background. Working out the best layout was a wonderful challenge. My goal for the painting was to suggest bird camaraderie during the depths of winter.

WINTER CHICKS

This painting is about done. I still need to clean up some edges, tone some of the masked areas and add a highlight or two. All fun stuff. And it’s finished in time to slip it into a frame and hang it on the wall before Winter officially begins.

After laying in masking fluid, I used hansa yellow deep, transparent orange, pyrrol scarlet, burnt sienna, Winsor green blue shade, Cerulean blue and ultramarine blue. My new favorite black mix is ultramarine blue and transparent orange.