Posted in painting

Watercolor Wednesday: Blissful

I asked my yoga instructor for a photograph of her two little dogs, with the intention of giving her a painting for Christmas. Well, Christmas came and went, and I didn’t get around to the work until January.

Here is an adorable photo of Marianne and Sissy (breed is Havanese)

I know these dogs well. They are present at yoga session and form a 2-dog greeting party with the arrival of each student. My challenge will be to render their personalities as vividly as possible.

No good portrait will happen without a good sketch. In this one, I taped two pieces of paper together so that I could make the sketch on 1:1 ratio with the painting. This allows me to transfer key contour lines and any gestural lines to the watercolor paper by tracing. 

Next, I did a quick color study and selected pigments. Marianne will be painted with a mix of Prussian blue and transparent orange. Sissy will be painted with a blend of Payne’s gray and transparent orange.

White areas masked out and underpainting complete:

Second wash complete

Third wash finished and most details painted in. Time to remove the masking fluid and the little bits of masking tape.

Final touches to finish it.

I’m pretty satisfied with this one. There were challenges, to be sure. But I achieved the bit of sparkle and personality I was seeking. You can probably guess that Marianne is the extrovert and Sissy not so much. I think of them as yang and yin. 

Blissful Dogs finishes out at 12 by 15. It is the largest watercolor painting I have finished to date and will easily fill a 16 x 20 frame after matting.

Done on cold-press Fabrico Artistico paper with a palette of Winsor yellow, yellow ochre, transparent orange, burnt sienna, quinacridone red, Prussian blue and Payne’s gray. Only tiny amounts of white gouache were needed.

Posted in knitting, painting

1st Cast-on for 2024

Need I mention that this will be another stashbuster? While that’s true, this hat is a also a sort-of swatch for a much more ambitious knit project.

I’m knitting it up from scraps of yarn using a pattern offered by Wool & Pine. The technique is called 1 x 1 colorwork. It is just what it sounds like: Using 2 different strands of yarn per row, knit 1 stitch in color 1, then 1 stitch in color 2. Continue alternating colors to the end of the round. Then it’s up to the knitter on how often to change out colors throughout the project.

Here I am switching out colors once per row. After practicing on the hat, I hope I will be ready to knit the pull-over.

https://www.ravelry.com/patterns/library/sea-glass-sweater-2

copyright Wood & Pine

Seaglass is the ultimate stash-busting pattern. It came to my attention from fellow blogger The Crafty Yarnster who is working on her own seaglass sweater.

https://wordpress.com/read/feeds/152202665/posts/5052736941

In other news, five recipients of Christmas handknits expressed satisfaction with their new accessories. The balaclava/mitten combination can be seen here:

After trying it on, the child’s mother ecstatically called out for her own balaclava. It’s that warm! The adult version will be cast-on no. 2 for 2024.

Moving on to watercolors, I have promised my yoga teacher that I would do a watercolor portrait of her two little Havanese dogs. This is the photo she sent.

Irresistibly cute, don’t you think? This will be my first painting of a dog. I think it will be truly fun to do.

So, with these three projects, I believe that my plate for January 2024 is full. Hopefully I can squeeze in some work on December 2023 UFOs. 

Posted in painting

More 100 Day Project artwork

Okay, I’ve lost track of which day I am on. (6-10-23: it’s days 28, 29, 30 and 31.)

What I can say is that Bill has given me about a half dozen photos of dragonflies.

Here are five:

While I have an idea for making a wall hanging; quilted, embroidered, and with painted dragonflies; for now I’m painting postcards. The purpose is to warm-up and to break my funky creative block.

In the process I’ve discovered that painting these beauties is like eating potato chips. It’s hard to stop once you get started.

I’ve tried to keep the dragonflies light and loose. They are so jewel-like in real life, the painted versions are but a poor imitation.

Made on Fabriano Studio cold press using watercolors, a micron pen for linework and Dr Ph Martin’s bleed-proof white for some highlights. I experimented with a silver pen on no. 3, but the shiny bits never show up in a photograph.

Posted in painting

Furry Animal Monday

I’ve been practicing painting squirrels. Here is my reference photo of a cute one perched on a stump at the forest’s edge. It is found on Unsplash.com and was taken by Yannick Menard

Yannick Menard on Unsplash.com

He’s so little and fuzzy. Here is how I interpreted him with my watercolors.

Completing this painting in my sketchbook was a real confidence builder for me. I think now I may be ready to paint squirrels that were photographed in our backyard.

Posted in painting

Study in Nature: Bluebird and Cherry Blossoms

Today I spent a leisurely afternoon following a tutorial by Kateri Ewing painting this bird. This little bluebird of happiness lived up to his reputation – he brought me happiness in the form of satisfaction with my efforts. I am happy with every detail of my work, except the cluster of blossoms in front of the bird’s left foot. That seems to be a hot mess.

On a more positive note, I highly recommend Kateri’s tutorials. She has a gentle, but enthusiastic teaching style and clearly loves water color painting. You can find the links to her classes here:

CRAFTSY | BLUPRINT | Kateri Ewing

My local library has just acquired her new book, “Watercolor is for Everyone.” I managed to be the first person to check it out. The book is in the how-to genre, specifically, how to develop a daily creative practice. I know there are a ton of this type of book on the market. But this one seemed right for me. I was in immediate need of emotional support for my creative efforts.

Kateri’s book guides the reader through a 21 day program of making intuitive, process-based art. There are no reference images, and very few technical instructions. The most important instruction she gives is that you give up on your expectation for results. Just show up everyday and paint for 15 minutes, minimum, drawing on your feelings and your imagination.

The process is definitely calming and even meditative.

Over the next few posts I will share some of my results from these lessons.