Posted in quilting

Giving it Form

The process of making up a quilt from scratch has many challenges. One I face today is building my Stay At Home Round Robin quilt around another maker’s pieces. None of the swatches are the same size or shape. How can I fit them together?

Here’s how I went about finding an answer.

The first step I took was to get them as flat as possible. Each swatch was hemmed by hand on the warp edges to keep it from fraying. As I began carefully picking out the stitches, I marveled at the how small each was. That got me to thinking about the maker, Margaret Howard. And I began to imagine her at her cottage on the lake, where she lived three months of the year. (Since this cottage is still in the family, and I had been there several times, my imagination has lots to work with.)

I imagine that, despite the passage of years, the grounds surrounding the cottage are very little changed. There are towering trees, both deciduous and coniferous, providing lots of shade. The path through the trees to the cottage are lined with wood ferns, all the way up to the door itself.

Photo by Mike Krejci on Pexels.com

Margaret is sitting in the main area of the cottage, sewing this hem. She has a view of the lake through a large picture window. While the trees now are quite tall and obscure this view, back then she likely could see the lake easily.

There were other families, her relatives, staying in cabins nearby. Each evening as the sun sank low, they gathered on the shore to toast the passing of the day. I feel certain that Margaret would join them. That bit of the beach is on the east side of the lake. The sun sets directly across the lake from this beach.

Having been there during one of these sunsets, it’s hard to describe exactly how beautiful it is. When the waves on the lake are gentle, one feels that the lake is bringing the colors of the sunset directly to one’s feet, like a precious gift.

A contemporary view of Shell Lake, with a new metal dock.

Back then, the silence must have been profound.

Of course, on special occasions, or when the air is too cold, a campfire is a must.

Photo by EKATERINA BOLOVTSOVA on Pexels.com

At this point in my musings, I brought these ideas together, and came up with a plan for the quilt. If you have been following this project in my earlier post, you saw that I sewed together three swatches to form the center block.

What if I divided the rest of the quilt into four sections, making a large block to anchor each section. And each section would show one of the elements enjoyed by the maker at her cottage on the lake – woods, fire, water, sky. Thinking more deeply about these elements, I realized that they corresponded to the basic elements described by ancient civilizations of the world: Earth, Fire, Water, Air.

To tie everything together, I did some research on the colors that the ancients associated with these elements:

Earth: Green and brown. Fire: Red and orange.

Water: Blue and pastels. Air: White and yellow.

And here is my (somewhat crude) plan for the quilt, sketched in watercolor.

This is my first go at the layout. I’m not sure about the dark sashing. But there will be plenty of time to audition some other fabrics as I work along.

Posted in painting

Belize Journal Part II

It’s been about three weeks since my last post. I was surprised by how much time had elapsed. My time has been occupied working to repair one of our rental properties and knitting gifts for Christmas.

To make up for my absence, I want to share with you a painting based on a photograph from my recent trip to Belize and the story behind the photo.

I call it Red Dragonfly Waterfall.

The photo itself is not very good quality. Due to to location of the sun, all my shots have these solar flares in them. But it gives you the essence of the place.

This adventure began with a drive down a bumpy dirt road for several miles. After enduring a noisy greeting by a gang of howler monkeys (very loud!) we reached the entrance to Cockscomb Wildlife Sanctuary and Jaguar Preserve. Surrounded on three sides by Mayan mountains, this preserve is the only one of its kind specifically dedicated to saving jaguars. Our guide, Pablo, offered the group three options for hiking: easy, moderate, or difficult. We chose moderate. This one stretched about two miles through the forest, ending in a narrow descent to a waterfall.

After applying areas of masking fluid, I painted Initial washes, rainbow, sky and some foliage.

We could hear it long before the waterfall came into view. I would estimate that the water tumbled down about twenty feet into a modest pool that was about six feet deep in its center. One of our party shed most of his clothes, grabbed his waterproof camera and waded in to take some video. I cautiously splashed my feet, then rested on a bench thoughtfully placed at the water’s edge.

A bold red dragonfly was flying around the area, pausing from time to time on an upright twig. I tried to several times to take his picture, but was unable to get a decent shot. So I sat back to enjoy the environs.

Next came layers of glazing, some color and a little salt effect.

After the warm and sweaty walk, the cool dampness of the place revived us.

Then it was time to work our way up the switchbacks and return to park headquarters, where Pablo laid out a delicious lunch of chicken, rice and fruit.

We saw no jaguars that day, but I understand they are nocturnal animals. The birds, trees and flowers provided plenty of color and sound for our pleasure.

I was most grateful for the experience.

Masking fluid removed, details painted in.

Pigments include Winsor yellow, green gold, Thalo blue, quinacridone red, raw sienna, burnt sienna and payne’s gray. On 9 x 12 cold press Fabriano Studio paper.

Posted in drawing, recycling

Autumnal Equinox 2021

Today I want to celebrate the changing of seasons. Weather-wise, it’s still summer here. But a cool front is expected here in the next 12 hours.

I am hopeful for cooler breezes.

With the idea of using non-traditional materials for this art piece, I started by rummaging through my paper storage drawer. Among the half-used scrapbook pads, pages from old calendars, brown paper bags, pieces of card stock and carefully saved rice paper, I came across this:

Yes, your eyes do not deceive you. This is a paper towel that had been used as a wiping rag. If I had to guess I would say this it is covered in fabric paint, because it was fiber artist Cindy Walter who suggested that I save my used paper towels.

https://www.craftsy.com/class/fun-techniques-with-fabric-paints/

Well, why not, I told myself. This could be made into something, by applying a little imagination and some carefully chosen marks.

The towel was quite fragile, so I started with a 4B pencil. Flowers, I thought. Working through the blobs and streaks, I decided to include other living things that associate with flowers. These creatures are currently busy preparing for the coming of winter. I drew beetles, bees, caterpillars and a curious cardinal. Soon the paper was full of pencil marks. I considered adding color. In the end I did put a tiny bit of blue paint onto the stems, but refrained from adding other embellishments, due to concern about damaging the paper towel.

HAPPY EQUINOX TO ALL.

May this fragile drawing remind you of the frailty of life and our pledge as stewards of the earth to preserve it.

Posted in collage, embellishing, quilting

Catbird Sings Reveal

In his Guide to Birds, David Sibley describes the gray catbird’s song thusly:

” …a rambling, halting warble with slow tempo…low hoarse notes with high sharp chips and squeaks interspersed….little repetition and little mimicry.”

…..which is, while accurate, a rather dry and technical explanation for what I heard that day:

Catbird Sings

In my final arrangement of this fiber object, I ditched the blue fabric which I was going to use as a framework for the “notes and chips.” Instead, I let the purple satin cord act as a highway for the eye to travel to each vocal outburst. I also unified the color of the lower section by overpainting the batik print using violet.

Close up of bird hidden in purple shrubbery

The free motion stitching wasn’t overly planned. I mostly just followed the clues given by the appliques and the color changes in the background.

Upper section finished with closely spaced stitching and pearlescent paint

I hope you enjoy “seeing” this catbird’s song, as much as I enjoyed listening to it.