Posted in painting, quilting

Friday Finish: Baby Quilt Feature Blocks

Hi, friends,

I’m thinking that it’s time to reveal the first finished blocks that I made for Oregon Baby quilt. As I described in earlier posts, these would be various animals found in the baby’s home state.

I started with the rufous hummingbird and the Oregon swallowtail butterfly. Here are photos showing the steps to completion:

Hummingbird:

Butterfly:

Slight exaggeration here: The butterfly needs its antenna . I will hand embroider this detail before I assemble the quilt.

Some of you may think that I omitted showing all the steps in the process. And you’re right. I had to turn the pencil drawings into pattern pieces before I could convert the design to fabric. Without going into tedious details, this work was done using tracing paper and photo copies. I also did zigzag machine stitching around the butterfly and straight stitching on all the edges of the hummingbird.

Now here is an photo of how these panels look next to the string-pieced blocks.

My apologies to those who are bothered by the wonkiness of the strips. Yes, it was deliberate. So sue me.

The fun will continue over the weekend as I translate more of my sketches into quilt blocks. Which will I choose next?

Posted in drawing

Sketching Sunday

This week I completed three more drawings of small creatures destined for use on Oregon baby quilt.

Western Meadowlark

The reference photo came from the North Dakota Minot Daily News

Yellow pine chipmunk

I found the reference image on Wikipedia Commons

Baby bunny

Found the reference for this cutie on Newsweek and it is a Getty image. The bunny is likely a domestic rabbit, not a native one. But no matter – any baby bunny is highly suitable to grace a baby quilt.

Today’s weather is temperate, calm winds and periodic rain. Just right for me to focus on my projects. What are you working on these days?

Posted in Living Life Well

Living Life in Transition

I am now a fiber artist without a studio. Yesterday I packed the final box of my materials, tools, supplies, journals, finished paintings and works in progress. With no access to my stuff, there can be no new reveals. For now, I’ve decided to share some of my earlier posts, starting with this one, written and photographed about one year ago. Please enjoy the pretty posies. I’ll return to normal (I hope) in about two weeks.

Posted in hand embroidery, painting, quilting

Friday Finish: Here Be Dragons

After eighteen months in process, my multi-panel quilt that explores the dragonfly is finally finished. The painting and the assembly of the quilt took place in 2023. Then it languished while I fiddled around with hand embroidery. Finally, I made the commitment in December 2024 to get this WIP done. It took an opportunity to display it at an exhibition to set me in motion.

I would be remiss if I didn’t acknowledge the role Bill’s photographs had in inspiring me. Here is a gallery of some of his dragonfly images.

I also did research into the creature, to better understand what I was seeing. I was always puzzled about the legs. In flight, they are not visible. When the insect is perched, one can see either one, two or all three pair of legs. Why is that? I learned that the legs are swiveled back and held flat against the body, just like an airplane’s landing gear. The dragonfly catches its prey in flight, grabbing hold with its legs. When resting, the legs have no function. Dragonflies cannot use their legs to walk. That’s why they seem so motionless when perched.

Anyway, the quilt is finished, except for the label and the hanging wire. It will go on display February 6, along with my Badlands quilt, at Prairie Moon Exhibition, The Center, Bartlesville, OK.

Posted in embellishing, hand embroidery

Friday Finish: Dragonfly panel stitching

For this week, I made a promise to myself that I would complete the hand embroidery on one of the Here Be Dragons art quilt panels. By New Year’s Day, I had finished.

The goal was to emphasize the painted lines while quilting the fabric layers together. I used DMC stranded floss in colors compatible with the fabric paint.

Here is the panel before stitching the background. The dragonfly is already stitched.

Using primarily stem stitch I outlined the botanical shapes of leaf and flower. With rice stitch, I worked the blank areas of the panel to secure the batting and backing.

Here is the panel completed.

I feel pretty good about my work. To me, the piece has variety but also cohesion, achieved by using repetition and a limited color palette.

I now have only one panel of this quilt left to stitch. My goal is to have the work finished and framed in time for an exhibition sponsored by my local art association. It will open in early February.

There’s nothing like a deadline to keep an artist motivated.