Today I’m catching up on the abstract landscape quilt that I started in mid-May:
I would say nothing has changed, but I would be lying. During the planning phase, I started to think about Japanese quilts – most likely because I recently purchased two books on modern Japanese quilting by Susan Briscoe. She is a textile artist who worked in Japan for many years as an English teacher. In her book, Japanese Quilt Blocks to mix and match, she features 125 patchwork, applique and sashiko blocks in a modern style that is inspired by tradition. Textiles recycled from kimonos and other garments give the blocks an Asian look.
Consequently, I decided that my original plan was not abstract enough. I discarded the house block already constructed and made one using the Japanese block called Sunken Hearth.
In fact, I made two hearth blocks – one in bold colors for the middle ground and one in faded pastels for the background. This second block is located half-way up the mountain in the foggy part of the landscape.
I redrew the upper right corner of the design from clouds into a mountain. You could think of it as Mt. Fuji. The fabric is a white-on-white print of spirals, suggestive of clouds to me.
As of today, I am about 2 thirds finished with the piecing phase. I have completed four rows out of seven.
By the way, I have a new favorite tool:
This flexible flat-bottomed shape is a technical drawing tool that belongs to Bill. He got it back in his college days for a class. Using this tool, I can match up a long curve which crosses over two different blocks. I Love it.
One more Japanese touch will be added to the lower right corner. In the reference photograph, there is a group of red-twigged shrubs behind a stone wall. I plan to use the Pieced Ogi, aka Folding Fan, to abstract this feature.
Are you making something from your scraps? Do share.
Daily Fiber 