granulating pigments – Daily Fiber

Friday Finish: Two Dog Portraits

Posted on December 13, 2024December 12, 2024 by Laura Kate

I got both paintings finished on Tuesday and took them to the framers. It was in the Nick of time to get them matted and framed before Christmas. I felt lucky to have made the deadline, without knowing the deadline!

The framers did a computerized mock-up of the portraits with my mat and frame selections. I snapped a quick photo of the mock-up on their computer screen and sent it to my client. She was elated, despite the poor quality of the image.

What I hadn’t foreseen was the framers keeping my paintings while the job waits in line to be finished. I have been spoiled by my past experiences, during which the mats were cut while I wait. Without the painting on hand, I can’t do anymore “final adjustments.” On second thought, that’s a good thing.

Here are the last photos I took before rushing off to Hobby Lobby.

And Reggie:

Finished sizes are 6.5 by 9.5 inches, or as close as the mat cutter can get to that size. The dogs will be matted side-by-side inside a 13 x 19 inch frame opening.

I used Arches cold-press paper. Pigments include raw sienna,

drawing

Wednesday Sketching: Loon Study

Posted on August 16, 2023August 16, 2023 by Laura Kate

Today’s sketch may also be categorized as the 100 Day Project. I am again working with photographs by husband Bill. Having recently enjoyed spending time with loons while on the lake in Wisconsin, I gained more appreciation for the beauty of these birds. This photograph is a classic loon pose: neck held in a graceful S-curve, head and bill slightly raised. But what I’m interested in for this exercise is the graphic quality of those black and white feathers. I zoomed in on Bill’s picture to examine the feathers more closely.

I started my sketch by drawing strong lines to separate what I see as four quadrants of an abstract view. Using a micron fine tip pen, I drew in the white markings, making shapes with a lot of variety – just like I see them. Then I used a Stabilo permanent marker to fill in around all of the white dots.

I originally wanted to do this art piece in black and white only. But the solid-looking color of the neck suggested an opportunity to try out a water soluable graphite pencil. So, I did and used it again on the lower body.

In the end, I felt compelled to add a little bit of color, in the form of red ink and blue watercolor paint for the water and sky.

I took some liberties with a few red dots. They create some focal points, and echo the bird’s red eye, which remains unseen in my sketch.

My abstract loon was drawn on smooth paper in a 9 x 9 sketchbook.

painting

Wednesday Watercolor – a new-to-me Technique

Posted on February 8, 2023 by Laura Kate

Last Wednesday, at the art association’s open studio, Cheryl introduced the group to a technique of painting into wet paper using a credit card instead of a brush. She referenced the work of Lena Gemzoe.

Very intriguing, but clearly, it takes a lot of practice to get results this good.

For the class, I decided to use granulating colors that would settle out into the texture of the paper. Working from my imagination I attempted a mountain view, with a stream in the foreground.

To finish it off, I used my brush to make a tree, island and grasses.

Cobalt blue, Payne’s gray, raw sienna, burnt sienna, yellow ochre and a little white gouache on Arches 140 lb. cold press paper.

painting

Watercolor Wednesday

Posted on October 19, 2022 by Laura Kate

Taking a break from knitting to paint a postcard

I was experimenting with an ombre effect. This took a lot of patience because I had to wait for each layer to dry fully before continuing on to the next.

This postcard featured a lot of blues including prussian, Thalo, and Payne’s grey, with burnt sienna added in the final layer.