Posted in quilting

F.O. Friday: Round Robin Quilt

I’m so happy to get this fiber object moved to the finish line.

CAN YOU TELL HOW HAPPY I AM?

This is my Stay at Home Round Robin quilt, a group quilt project that took place in January and February. You may recall some of my earlier posts on this topic.

After all the piecing was complete, I was unsure of how to quilt it. In the quilt’s center I had used the walking foot to sew parallel lines that pinwheeled outward. But the checkerboard border seemed to act as a visual line, stopping the progress of the parallel stitch lines.

After months of procrastination, I made some decisions. The checkerboard border was quilted free motion in a sort of figure eight pattern (the symbol for Infinity.) Each square ended up with a circle inside it. I then continued my parallel lines beyond the checkerboard all the way out to the edge. EXCEPT: I sewed spirals (the shape of galaxies) around the stars and log cabin corners. The straight lines filled in everywhere else.

I call this quilt Expanding Universe. Each challenge caused the quilt to expand over and over. And the choice of a pinwheel block in the center, with corresponding smaller pinwheels in the last border reinforced the idea of spinning outward. The finished quilt measures 60 inches square.

Thanks to brother-in-law Steve for snapping these lovely photos of me enjoying my Expanding Universe.

Posted in quilting

Finished Object Friday – Quilting

After three months, I have finished the pet-friendly quilt that started with this fabric.

Inspired by Rayna Gillman’s improvisational piecing technique and using a combination of log cabin and strip pieced squares, I designed a pair of blocks I call Dog House, Cat Barn.

The blocks finish at 12 inches square. But how can they turn into a bed quilt? After mulling it over for awhile and making several sketches on graph paper, I found that I could fit four blocks across five rows to come up with a twin-size quilt. To create balance, I staggered the rows by four inches with a spacing strip, alternating between left side and right side every row.

I also felt that the balance would improve if the center row was different. Thus was conceived the Pet Condo construction project in “mid-town,” (if you will permit my flight of fancy.)

Four inches of sashing in a grey polka-dot fabric between the rows made a “street,” giving the animal neighbors a nice boulevard for walking over to visit. With my concept complete, I re-named the quilt Animal Friends.

Oh, another group of animal friends were introduced via the background fabric: Our hardworking and very dear bees.

The Animal Friends quilt measures 57 by 84 inches. It was quilted with a combination of walking foot “stitch in the ditch” and free motion stitching on my Bernina.

Posted in quilting

Final Steps on Duckweed Sample

Today I finished up my practice sample for the Duckweed fiber object. This involved making the quilt sandwich and quilting.

I started with the walking foot and black thread. The stitching included wavy lines over the foreground and sewing around the duck. Next I switched to white thread and the free motion foot for creating the ripples around the base of the duck and outlining the duck’s wing feathers. I continued on my making white ripples to match the black ones in the foreground. To finish up, I used yellow-green thread to quilt the background.

As I worked, I began to like it more and more.

For the purpose of comparison, here is the inspiration photo.

And here is a close-up of my duck.

Making this piece was really good practice. I might do some things a little bit differently when I begin work on the main piece. I’ll give this project a few days rest and come back to it with fresh eyes.

Posted in hand embroidery, painting, quilting

Van Gogh-ish Last Steps and Reveal

The last time I posted about my sunflower project, I had just finished fusing all the fabric pieces to the background and was beginning to embroider details on the flowers. There are only a few more steps to share.

Here is a close up of the embroidery detail, which also shows the machine stitching around each applique piece.

Both of these steps took a good amount of time. I sewed around each piece using my walking foot. It is a great foot for precise work, but it only sews in a straight line. To sew down each petal and each notch in each leaf required lots of adjustments along the way.

Once the outline stitches were finished, I switched to my free motion foot to quilt the background. Now take a look at the Van Gogh painting at the top of this page. You can see, how the artist painted echo lines around the details. The pale dashes around the man’s jacket repeat the line of the jacket, and the edges of the sleeves are echoed all the way up the arm. I wanted to create the same kind of texture in my piece. So I started by sewing echo lines around the flowers and the leaves.

When I reached the sky, I sewed wavy lines around several of the paint dashes and dabs. After finishing the quilting, I bound the quilt on all sides with blue fabric.

For my final step, I mixed some paint. I painted echo lines, focusing on the upper half of the piece, and giving much attention to the flowers. Then I called it done.

Van Gogh-ish Sunflowers

I feel really happy. While this project took me many hours to complete, I find it very expressive. The quilting and the background paint lines represent the motion of the sunflowers as they sway in the wind. I like to think the echo lines represent the energy that exists in all living things.

Thank you, Mr. Van Gogh, for everything you taught me.

Posted in drawing, quilting

In the End – Confetti

My creative bent took an unexpected turn today. I started the day by thinking about Van Gogh. You see in the photo the sunflowers I planted this year. I took this image over my garden fence with the idea that it would make a good reference photo for artwork. To further this end, I made a sketch of the photo this morning.

This is a simplified image that I thought would work well for either water color or fiber. Since I am currently up to my eyeballs in reference photos suitable for water color painting, I decided to make a small art quilt featuring sunflowers.

This is what led my brain to Van Gogh. Sunflowers were a favorite subject of the artist. He liked to paint them as still life images, cut and arranged in a vase.

https://www.vangoghmuseum.nl/en/art-and-stories/stories/5-things-you-need-to-know-about-van-goghs-sunflowers

I intended to portray them growing in the garden. But I wanted to create a “Van Gogh” like background – full of color, motion and energy. Think of Starry Night as an example.

During my blog browsing today, I came across a post from the group 15 by 15. This is a very creative group of quilters who like to work challenges. One of the members mentioned that she used the “confetti technique” to create the background of her new work for the current challenge.

My brain started firing up! What is this “confetti technique?” I must learn more!

Of course You-tube came to the rescue. I found an explanation on how to add confetti to a quilt. There are several techniques, but I watched this one by Gail Hunt.

The rest of the afternoon went like this:

Find a bunch of scraps. (I used several from my Under the Sea quilt, because they already had adhesive attached to them.) With your rotary cutter, slice them to bits.

Arrange on a background fabric and press them down with your iron.

Cover the piece with a bit of tulle or netting. Glue or stitch it in place.

With sewing machine and free motion foot, stitch over the piece like crazy. (I used black thread to meander on the background and sew straight lines over the pale bits.)

I then switched to white thread and made swirls into the dark areas.

Just like Van Gogh’s “Starry Night.”