Posted in painting

Monochromatic Study

You may recall that I was back to experimenting in water color paint earlier this week. Working with carbazole violet, I laid down a wash and then lifted the paint back in vertical lines. Because these looked like tree outlines to me, I added some pencil lines to accentuate the effect.

Yesterday I returned to this sketch. Deciding that I would continue with one color, I started to layer up violet washes between the white lines. This went pretty well, except for the fact that some of the white trunks and branches got covered up. In my mind the painting was ruined. Instead of giving up on it, I let the paint dry and then, following the lines of the trunks, lifted up the paint to find some branches. I stroked some paint horizontally in the foreground to suggest tracks in the snow. Finally I dabbed water and dots of paint in upper area of the paper, splashed on more water and let it dry again. Now I was willing to sign this one.

GHOSTLY TREES

It’s interesting how much I am learning by doing with these little pieces. I guess it’s the idea that there is no price to pay for failure.

Only a small scrap of paper and a bit of my time.

Posted in painting

Update on my Watercolor Journey

It’s been over a month since I worked in watercolor paint. I’m disappointed in myself for dropping out of a self-imposed daily practice. Even though I am busy with two quilts, the desire to improve my painting skills is ever present. It’s time to pick up my brush again.

To that end, I signed up for a 10 week program of in-person art classes. The instructor is Ross Meyers, who is offering the classes at our local art association. After my first lesson (drawing), I got all ambitious again, remembering that I wanted to paint some snow scenes this winter.

Winter Woods

You may recall that I am working on 4 by 6 inch pieces of Fabriano Studio cold press paper. In this little painting I am practicing with carbazole violet. I like the way that shadows on the snow pick up cool hues of blue and violet. The reference photo I am looking at is by Catherine Arcolio, who posts under the name Leaf and Twig. In her posts she combines beautiful photography with a brief poem.

The Two Of Us – leaf and twig (wordpress.com)

The second painting is another experiment with violet. I laid down a graduated wash and let it soak in briefly. Then with a rigger brush, I lifted the paint vertically.

The resulting image reminds me of snow blown onto tree trunks. I added some pencil marks to accentuate this impression.

For the next layer, I will come back with full strength violet and a rigger brush to make grasses in the foreground. I will use a dry brush technique and maybe some black paint to further refine the tree trunks.

After my next art lesson, I’ll write about what I am learning, and whether I think it is worthwhile.

Posted in painting

A New Paper

Last week my order from Jerry’s Arterama arrived just in time. I had run out of watercolor paper. Here is my choice:

I was convinced to try this particular paper by a video demonstration from manufacturer. While the cotton content is only 25%, it was described as the next best thing to 100% cotton at less than half the price. If I use 1/2 a page per exercise, my daily cost for paper will be .25 cents.

So how did my first try go?

This is a gradient wash using Thalo blue. I didn’t get it as gradual as I would have liked, but I found it acceptable for my purpose. For the next one, I used a Sumi brush to manipulate the wash more while spreading it over the wet paper.

I really like this effect. The flares, or blooms, of pigment near the top of the paper suggest flowers to me. So I chose to paint poppies.

I probably spent about 45 minutes on this – 2 times longer than my allotted 15 minutes. What I like about this painting: By using a lot of water and working with the shapes left on the background wash, I achieved an impressionistic look. I was also able to make some nice shadows and highlights. What I don’t like: My brushstrokes are hesitant and a bit fussy. And the darks could be darker.

To evaluate this paper, I will need to paint on it a lot more. My initial impression is satisfaction. It didn’t buckle and it stayed wet an acceptable period of time.