design process – Daily Fiber

Fabric Strips Saga: Chapter Three

Posted on June 19, 2024 by Laura Kate

My obsession with strips continues. First, let me share an image of the pieced abstract landscape that I have been working on most recently.

The work at this stage looks about as I expected, although I feel kind of let down by it. I’m also stumped as to how I will proceed with the surface embellishments and quilting. As I ponder, I have laid it aside.

Leftover strips are hanging out, and they keep drawing my attention. I started noodling around with them, cutting and sewing together. Since I had used the 1- and 1/4-inch-wide strips for the landscape art quilt, I wondered what else I could do with this size. Pulling out some 2 and 1/2 inch scraps, I start sewing strips together, again.

Well geez, first I need a little bit of structure to this game. How about a palette? I decide to try analogous colors. Pulling out my color wheel, I spun it around to show that teal blue color in the center, surrounded by its four closest relatives.

Now I am really in my comfort zone. My stash contains many scraps in this range, leftovers from some favorite projects.

If I sew two thin strips on either side of a 2 1/2 inch precut, then cut that piece down to four inches, I get a nice-looking square block. I decided to stick to monochromatic fabrics for each. Here are some examples.

Combining four of these gives me a seven and 1/2 inch square.

What if I sew four of these together?

Hm. To me it looks too busy while also looking kind of boring. I can do better.

How about inserting some sashing? I have a longing to try dark background fabric with this palette.

Now we’re talking. But to get more negative space into the picture, I could put the blocks on point and space them out with a background block.

Ah, the drama it beginning to happen. I sit down with graph paper and plot out a lap sized quilt using this on-point configuration.

This could be wonderful. Perhaps I can create focal points in the dark blocks by inserting some bits of hand-painted fabric. Something like this leaf, which is left over from my very first quilt.

Gosh I feel better. Going from a vague notion to a planned design is so satisfying. Even though I had no intention of sewing up another lap quilt, I’m ready to go. The trick will be to buy as little fabric as possible and still get the look I want. I’m up for that challenge as well.

painting

Admirable Weeds

Posted on April 7, 2024 by Laura Kate

My inspiration for this painting happened during a camping trip to Kansas in late March. At the site, I noticed a dozen or so Red Admiral butterflies floating around an open area near some trees. After following them around for awhile, I realized that they were taking nectar from two weedy non-native plants: henbit and dandelions. My thoughts went something like this: Those two plants are disdained by gardeners and the general public. Yet one of our most beautiful native butterflies found them attractive. There is something to be valued here that I wish to explore.

The henbit was lush and blooming profusely.

I grabbed another photo in my backyard, which I used to create my drawing.

For the butterfly reference, I went to Unsplash.com for this lovely by Don Coombez.

https://unsplash.com/photos/a-butterfly-sitting-on-top-of-a-metal-pole-PLyR1XIwcsU

Reference in hand, I started work, first by testing colors in my sketchbook.

Next came a pencil sketch which was transferred to Arches cold press paper.

Stages of the painting:

Masking fluid applied and Initial wash laid down.

First round of colors dropped in.

Foreground painted and additional layers added.

Masking fluid removed, some shadows and details painted in.

Finished up by adding highlights and cast shadows.

I’m relieved to have finished. These complex organic scenes are still very difficult for me. And while I can’t say I love every bit of my painting, I did achieve my objective.

quilting

SAHRR Round 6 and a revisit to Round 4

Posted on March 1, 2024March 1, 2024 by Laura Kate

It is the final week of the 2024 Stay at Home Round Robin challenge. In my last post, I had part-way finished the round 5 challenge (the number 4) but was flummoxed by the Round 4 challenge (square in a square). Working many hours on my quilt this week, I managed to sort out and assemble round four, as well as the second side of round 5. If you are following this, I recommend that you get comfortable, because this is a long post.

Let me start by sharing two inspiration photos.

A kaleidoscope of butterflies.

A boatful of refugees.

It’s possible that the connection between these two images isn’t obvious. When I tell you that the theme of my quilt is migration, my choices will make more sense to you.

For at least a year I have wanted to paper piece some butterflies and use them in a quilt about migration. I even went so far as to design three different patterns in multiple sizes. After fooling around with them, I ended up putting them away for a later date. It’s now 2024 and, it’s clear to me that now is the time for the butterflies.

Most of my paper pieced butterflies were in plain blocks. But because Round 4 is square in a square challenge, I used two small butterflies as centers

This border took me almost three days to design and construct, but I don’t regret any of the time, or the mess left behind. The result exceeds my expectations.

Moving on to the top border, which also is included in my Round 4. Here is the shirt I cut up to get the fish fabric.

I wanted to sew the blocks in a manner that gave the illusion of fish swimming upstream. Here is my first attempt, which was a total fail.

To move forward, I did what everyone else does. I looked at other quilters’ work. I noticed one quilter put together a square in square that totally changed the appearance of the block, simply by mixing up the corner triangles’ colors. The lesson: you can use more than one color. Ahhhhh! Out came the seam ripper to completely disassemble my entire border. I threw away all the corners and made new ones. Now I have six square in square blocks that work together the way I envisioned.

Deep, breath – on to my refugees. Using my inspiration photo, I made a sketch that caught the essential elements. Then I turned the sketch into a pattern. Because the shapes of the people are not straight lines, this part of the design was not made by paper piecing. It was appliqued to a background of sky and water.

The finished block is 12 x 6 inches.

And if you look closely, you can see how I met this week’s challenge by adding the lettering that appeared in the inspiration photo.

I wrote the words with a purple fabric pen.

This morning, I threw together several four-patch blocks to fill in the right side of the quilt. And while it’s not completely sewn up, and two corners need transition blocks, this quilt top is close enough to a finish that I can post it on the linky party site.

If you are still with me, thanks for reading all of this. It felt important to me to share my process. Maybe it’s a way to clear my mind for what may come next.

This week’s Linky party is hosted by Kathleen McMusing. Visit her to see the quilts of other participants.

quilting

SAHRR 2024 Border One: Grateful

Posted on January 23, 2024January 29, 2024 by Laura Kate

I’m grateful to Pieceful Wendy for choosing the signature block for the 1st round of this year’s Stay at Home Round Robin. I’m also grateful to myself for pre-planning this project instead of winging it each week. You see above some of the fabrics I have painted (along with a nice purple solid.)

Here’s a few more that I painted. Most are commercially printed fabrics. I just added a few layers of color using Jacquard Dye-Na-Flo fabric paint.

These will soon appear in my SAHRR quilt rounds.

Okay – fabrics are at the ready, time to sew.

In reviewing my project map, I see that the colors purple and red are to dominate the first round, which will be attached to my center panel’s right and bottom sides. The right side will extend the trees of the panel into the border. The bottom will represent the forest fire.

I started with the trees. They will go in the center strip of the signature blocks. I cut fabrics that looked tree-like and some smokey purple fabric and made a strip set. Then I cut some purple squares to use in the corners.

That’s the right side done. For the bottom, I got out some flame-like fabric that used to be part of a dress that no longer fit. It was cut up a few years ago and saved for just this moment. How fortunate for me.

Do you feel the heat yet?

After making a corner block that integrated the two sides, I sewed the blocks together.

Jan 29: After viewing a photograph of my work, I swapped out one of the fabrics in the corner block. Then I joined up the first round to the center panel.

I also decided to use white fabric with a marble print as sashing around each group of blocks. SAHHR Round one is made of 4 inch finished blocks. My quilt is now 16″ and ready for the next round.

Be sure to check out all the SAHRR 2024 participants’ projects posted at the Linky party. You can find that HERE.

quilting, recycling

SAHRR 2024 begins this week

Posted on January 19, 2024January 19, 2024 by Laura Kate

Last week I posted a number of choices for my center block in the annual Stay At Home Round Robin quilting challenge. Readers of this blog will not be terribly surprised to hear that I chose the mountain painting on fabric.

Now I am forced to consider the short-comings of my choice. First of all, it wasn’t square, having a slightly portrait layout. I sliced off the top and bottom to the limit that I was willing to sacrifice the image. It was still out of square.

My solution was to applique it to a 12 1/2 background. By choosing to applique instead of piece, I avoided seam allowance, retaining more of the painting. With a center block finishing at 12 in., I have lots of options for sizes of the rounds to come.

The second shortcoming became clear when I observed that the painting was mostly one value – it’s medium value nearly throughout. There are some darks, but no real lights. I’ll have to find a way to bring in some light, perhaps with embroidery.

Now I am confronted with a number of design decisions. I have resolved to make the entire thing out of scraps, if I can manage it. Coming up with the palette was easy. It will be an analogous one, featuring a range of colors that exist in the painting. Purple, blue, teal and cool greens will predominate, with a generous dash of reds as accent. Here are the eligible scraps, organized by color and value.

With any luck, I can avoid buying more fabric, outside of the backing.

The final design decisions that I can make prior to getting the first clue concern size and layout. I spent hours thumbing through books and looking online before I made my choices. Ultimately, I settled on a square, with an expected size of 45 inches, more or less. My plan is to add the rounds in log cabin fashion, keeping each round within a strict color range. To see how it would work I made a mock-up using colored pencil on graph paper.