Posted in painting

F.O. Friday – Painting

This project has been sitting around since mid May.

Back then, I sketched a picture that was a composite of two photographs: A group of fuchsia blossoms and a hummingbird.

Eventually I used this image during a class I attended on collage technique.

It was more convenient to transfer the image in reverse.

But had always intended to paint it. Today I finally finished. Here is my process:

Transfer of drawing and first wash of flowers
Bird body and wings painted, second wash on flowers
Details added to bird
PAINTING COMPLETED

To finish it, I worked in a pale background wash, added final details to flowers and deepened the darks on the hummingbird.

This was a very good learning experience. If I were to paint it again, I would choose more transparent pigments. The cobalt blue was more granulating than I liked, and the alizarin crimson did not give a clean delicate hue on the flower petals. Instead I would use a mixture of ultramarine blue and Thalo blue and use quinacridone magenta, very thin, for the petals. I would also apply the background wash first. It was very tricky to work it around the finished flowers.

The parts I do like: The composition, the texture of the feathers and bird wings, and the shading on the petals.

Posted in painting

Furry Animal Monday

I’ve been practicing painting squirrels. Here is my reference photo of a cute one perched on a stump at the forest’s edge. It is found on Unsplash.com and was taken by Yannick Menard

Yannick Menard on Unsplash.com

He’s so little and fuzzy. Here is how I interpreted him with my watercolors.

Completing this painting in my sketchbook was a real confidence builder for me. I think now I may be ready to paint squirrels that were photographed in our backyard.

Posted in painting

Sleeping Babes Revisited

Yesterday I made a watercolor version of the sleeping baby posted earlier this week.

Here is the original photograph:

And my take on this portrait using watercolor.

Somehow in the process of painting, the little mite’s coloration was translated from dark hair to straw-colored red hair, and the facial tones got very rosy, especially the lips. I guess I am channeling Lu.

Anyway, this sketch pleases me. With practice I am learning how to manipulate multiple layers of wash, getting the colors to blend better.

Pigments used were raw sienna, yellow ochre, quinacridone red, burnt sienna, ultramarine blue, carbazole violet, and tiny bit of permanent alizarin crimson. This was worked in my brand new 5 x 8 inch Hahnemuhle watercolor sketchbook. The paper was very forgiving.

Posted in drawing

Second Sketch Soloman Seal

Rather then draw the plant from the photograph I cut some stems and brought them indoors to draw them from life. They were set in a jar and placed on my wood table in the studio.

This drawing focuses on the leaf shapes.

The shadow on the wall is not evenly toned, the way a real shadow is. But I wanted to do this sketch quickly (for me, anyway) and therefore left it as is.