I have been saving this image from Unsplash for the time when my skills were sufficient to paint it. I think I’m ready now.
There are several challenges:
Painting the pink flower with shading and without losing its delicate transparency.
Making the background black enough while keeping the crisp edges of the foreground.
Rendering the texture of the leaf in the foreground
It took me a few days and several stages.
Pencil outline of the flower and underpainting of the leaves. I added some colored pencil on the foreground, but these lines completely disappeared under subsequent glazes.
Before I proceeded to the next layers, I reserved the edges by coating them with masking fluid.
First layer of paint on flower and background, second glaze on leaves.Second layer of paint on flower and background. Once it dried, I rubbed off the masking fluid.
Final painting. To render the curves of the foreground leaf, I decided to add a dark color band which doesn’t exist in the original photograph. I used a blue Prismacolor pencil to draw in the delicate veins which are visible between the large ribs.
I like the glowing look of the flower. The crimson petal tips really come forward visually. I’m happy with the foreground leaf. I’m wondering if I need to darken the leaf in the background.
Maybe I will wait a day and see how I feel about it.
Painted on Fabriano Studio cold press paper with Winsor yellow, quinacridone magenta, alizarin crimson, prussian blue, viridian, gold green and sap green.
Yesterday I found a feather in the back yard and wanted to render it in graphite.
I decided the drawing would be a self-portrait of my hand holding the feather. Since I am left-handed, it was easiest to hold up my right hand about ten inches from my face and draw what I saw. To render the feather, I attached it to a binder clip and placed it on top of a thread spool on my work table. The tricky part was drawing each part in the same scale, so that it would look life-like.
Contour sketch with a few tone and shade indicationsFinished sketch, tone and shadows intensified, also a few more lines.
This didn’t take too long to draw. During the process, I began to appreciate how tricky it is to make a drawing of a hand. I had to keep adjusting the alignment of my fingers as I worked. I wondered if I should include a cast shadow. Ultimately, I couldn’t figure out where to draw the shadow, since I was holding the feather up and away from all surfaces, so left it out.
Maybe I can convince someone to model for me so I can make a sketch of two hands.
Flowers are a popular subject for beginning watercolor students. So far, I have not been attracted to this subject. If given a choice, I would prefer to paint an animal instead of a flower. But today I decided to go for a rose.
And not just any rose. I picked a multi-hued rose, very close up. Obviously, I was ready for a challenge.
This photograph was chosen from a free-usage website, most likely Unsplash. Unfortunately, I saved it to my folder so long ago that I can’t remember where it came from. I was attracted by the assortment of warm colors. I especially like the magenta hues, because I recently purchased a tube of quinacridone magenta.
Day One.All the initial washes are in placeDeeper values and a little bit of detail
I used my Prismacolor pencils to emphasize the veining in the petals.
I’m reasonably happy with my first effort. But in retrospect, it would have been wiser to pick a rose of one hue – a red, red rose – for my initiation into painting flowers.