art quilt – Page 4 – Daily Fiber

100-Day Project: Days 36,37,38

Posted on June 21, 2023June 21, 2023 by Laura Kate

I could have called this post Wednesday WIP. But since I worked from three of Bill’s photographs to create this panel of the dragonfly art quilt, I prefer to focus on the inspiration.

As noted above, I am still working with dragonfly photographs. In this installment, I selected two images of the same dragonfly……….

…….plus one photo of some bougainvillea blooms.

The three images will be combined in a horizontal panel measuring 12 x 24 inches.

On the first day I painted the background. I dipped the scrunched white cotton into two different pigment baths, wringing it out in between soaks. After smoothing the fabric onto my dry erase board, I placed two dragonfly shaped masks, several sprigs of dried leaves, and a sprinkling of dried peas. Next, I dropped on a little bit of purple and magenta paint, then set the board outside in the sun to dried.

It didn’t take long.

I took my time painting the dragonflies. Today I finished up by drawing the delicate wing veins. Next the background got more attention. I enhanced the leaf shapes with color, then painted a long line across the panel – my interpretation of the wire plant support seen in the photos.

A closer look…………

another…….

Again I used Micron pens, watercolor pencils and a little white Gelli pen for the finishing touches.

painting

WIP Wednesday: Dragonfly Art Quilt

Posted on June 14, 2023June 13, 2023 by Laura Kate

I have been busy painting dragonflies on my hand-painted backgrounds. The process is really fun! I have also been researching dragonflies. They are amazing animals.

Did you know that some dragonflies can live for six years? That is pretty good for an insect. Granted, up to four years are spent as naiads, in water. They look kind of like shrimp. Adult dragonflies have six legs, yet they cannot walk. They use their legs to snatch prey in flight, which they then tear apart and eat while still flying. If you were the size of a fly, you would find dragonflies terrifying.

So far, five of my panels have dragonflies on them.

**I cut a stencil to make these two panels**

In addition to Jacquard textile paint, I am using watercolor pencils and Micron pens. The paint is thinned with FolkArt floating medium, which permits better blending and lengthens the drying time.

Here is a mock-up of the quilt layout I’m considering.

If I go with this layout, the finished piece will be 28 x 36 inches.

Two more panels need dragonflies, and then I will consider painting some details on some of the backgrounds.

painting, quilting

100 Day Project: Days 32-35

Posted on June 11, 2023June 10, 2023 by Laura Kate

I’ve figured out which day I am on, AND,

The process of painting dragonflies on postcards broke open my mental block.

I started painting fabric right away, after swatching the colors I want to use.

Using these colors and a variety of techniques, I painted backgrounds on rectangles of white quilting cotton. Earlier I had cut out dragonfly body shapes from craft foam. These shapes and an assortment of leaves were laid on the painted fabric to serve as masks. Laying the pieces in the sun printed the masked shapes.

The next day, I did more fabric painting, just to make sure I had enough selection.

With the backgrounds prepared, I began inserting the dragonflies into the pieces.

Day 34:

Day 35

I’m in love with this last guy. He will be the focal point of the finished product.

In the next week I plan to add finishing touches to these two paintings and begin work on the rest. My layout calls for five paintings sewn together with blue borders in between them. What happens after that is done will take a bit more cogitation.

painting, quilting

Revisiting a fiber object

Posted on April 30, 2023April 30, 2023 by Laura Kate

Three years ago, I was inspired by this photograph to make a small art quilt.

I had taken this picture while on the drive back home from Wisconsin. The colors and the layers made me think of a strip pieced quilt. In 2020 I used several hand-painted fabrics to create an abstract landscape.

https://wordpress.com/read/blogs/157882254/posts/1737

While I no longer have this quilt, (it was gifted to my god-daughter) I still have the photograph. Using it as a reference, I reproduced the lower right section of this quilt in watercolor.

It was a quick and fun exercise. But it got me to thinking about derivative artworks. What else did I make that can inspire a new piece in a different medium?

collage, painting, quilting

Friday Finish: Badlands

Posted on November 11, 2022November 9, 2022 by Laura Kate

The inspiration for this art quilt came to me during our trip to Roosevelt National Park in July of 2021. I was captivated by the sandwich layering of rock, running in parallel lines that eroded down over thousands of years. It suggested to me a string pieced quilt. For the next several months I thought about my concept and puzzled over how I could bring it to life in fabric.

Our photographs were disappointing. It was high noon, and pervasive smoke dulled the light. No shadows were in evidence and the colors were muted. I decided to rely on an internet image for my working reference photo,

To get from concept to finished art is a long process. I started by making a value sketch. Next, I drew a pattern to scale, identifying major segments and eliminating excessive detail.

Here’s the part all fiber artists (including myself) find extremely creative: choosing fabrics. Since I like to use watercolor, I painted my swatches. After assigning a hue and value to each segment on my pattern, I picked out the fabrics to best achieve my color scheme of orange, blue-purple and blue-green.

Here’s an aside about the fabric I chose. Ultimately, I couldn’t find fabrics that had the colors and textures that I needed. To get there, I painted on printed fabric for most parts of the quilt. I also selected a few batik prints that were close enough, with only minor adjustments to color.

With the design decisions made and fabric selected, I began to assemble the quilt. All of the techniques that I used in making this quilt I learned from two fiber artists: Annette Kennedy and Gloria Loughman.

http://annettekennedy.com/about

https://www.glorialoughman.com/about

I thank these artists for giving me the skills I needed at the time I needed them.

And here is Badlands in its final form:

The design is invigorated by lines running in parallel diagonally and horizontally. Where the diagonals meet, triangles are formed. These shapes lead the eye to the center where two focal points have a quiet conversation across the river valley.

As a final note, I want to acknowledge the influence on my style of pop artist David Hockney. A print of his painting, Garrowby Hill, hangs over our fireplace.