art quilt – Daily Fiber

WIP Wednesday – The Final Panel

Posted on January 15, 2025January 15, 2025 by Laura Kate

Today I stitched the last stitch in the final panel of “Here Be Dragons” art quilt. In looking back through my photography files, I discovered that I had painted the panel way back in June of 2023. Here is how it looked at that point.

Reference photography for the two dragonflies came from Bill. They were part of the 100 day project, along with all the other dragonflies that made their way to this quilt. The background was painted with Dye-Na-Flo fabric paint first, with masking used to reserve white where the insect’s bodies would be.

I then used the thicker Jacquard Textile acrylici paint to render the dragonflies, finishing up the fine details with Micron pens.

Here is the panel today.

A combination of stem stitch and rice stitch outlined the subjects and enhanced the shapes in the background.

Close-up of the two dragonflies.

I believe that I will meet my deadline for getting this work ready to show in February. Some straight line sashiko sewing in the sashing, then mounting the quilt to stretchers is all that is left to do.

embellishing, hand embroidery

Friday Finish: Dragonfly panel stitching

Posted on January 3, 2025January 1, 2025 by Laura Kate

For this week, I made a promise to myself that I would complete the hand embroidery on one of the Here Be Dragons art quilt panels. By New Year’s Day, I had finished.

The goal was to emphasize the painted lines while quilting the fabric layers together. I used DMC stranded floss in colors compatible with the fabric paint.

Here is the panel before stitching the background. The dragonfly is already stitched.

Using primarily stem stitch I outlined the botanical shapes of leaf and flower. With rice stitch, I worked the blank areas of the panel to secure the batting and backing.

Here is the panel completed.

I feel pretty good about my work. To me, the piece has variety but also cohesion, achieved by using repetition and a limited color palette.

I now have only one panel of this quilt left to stitch. My goal is to have the work finished and framed in time for an exhibition sponsored by my local art association. It will open in early February.

There’s nothing like a deadline to keep an artist motivated.

hand embroidery, painting

This Week’s Work – mostly painting

Posted on November 17, 2024 by Laura Kate

My week was not typical at all. I spent 3 days in a watercolor workshop led by Sonya Terpening. It was a bit of a rollercoaster for me. On the one hand, my confidence seemed to improve. On the other hand, I found the environment a bit chaotic, so it was difficult to focus. I found myself rushing to finish instead of taking my time.

Anyway, here she is. I call this work Woman in a Shawl.

The reference photograph is mine. I had asked my daughter to serve as the model for a shawl I knit back in 2022.

Other sketches I completed this week, taken from lessons by Kateri Ewing in her book Watercolor is for Everyone.

Dream Feathers

Tiny Being of Light

And finally, I just finished the mid-tone layer on my portrait of Reggie the Dog.

I’m pretty happy with the dog at this stage. Darks and shadows will be added this week, if I have time before we leave for Madison.

I’m also happy that I finished embroidering a panel on my Dragonfly art quilt.

You will likely not be able to detect any difference from the photo I posted last week, since all of the stitching was in the background. Now I am moving on to this panel.

This one makes me so happy, because the background is a profusion of flowers and leaves. Embroidering it will be sheer pleasure.

Thank you for visiting, and please do share your own creative projects.

hand embroidery, knitting, painting

This Week’s Work – Branching out

Posted on November 9, 2024November 15, 2024 by Laura Kate

In week three, The Artist’s Way has me focus on Recovering a Sense of Power. The words for focusing are Anger, Synchronicity and Shame. In Watercolor is for Everyone, the daily practice work seems to be mostly representational, as opposed to abstract.

I am also sharing my fiber work from this week. Let’s start with that.

Knitting: I’m a bit errant in not posting about my newest project. I’ve chosen a cowl design by Andrea Mowry. It’s super lovely.

I’ll do a full post on this project next week.

I have also returned to an art quilt that has been languishing since last year. I call it Here be Dragons. This week, I spent my evenings hand-quilting one of the panels.

Bill’s photographs provided the reference for my dragonflies. The background and dragonflies were painted onto white cotton fabric with textile paint and micron pens. Next I embroidered detail on the dragonflies. The final step is to work embroidery stitches into the background as a way to marry together the three layers of the quilt. It is slow work, but I am determined to carry on and get this piece mounted and displayed before year end.

Here are the watercolor exercises completed this week.

This little landscape was based on a photo I took of a Wisconsin farm.

My magical hummingbird is inspired by Janet Weight-Reed’s beautiful hummingbird paintings. I used a photograph from this month’s National Geographic for reference.

Thank you for reading.

quilting

In Progress: Pieced Landscape Art Quilt

Posted on June 6, 2024 by Laura Kate

Today I’m catching up on the abstract landscape quilt that I started in mid-May:

Obsessed by Strips

I would say nothing has changed, but I would be lying. During the planning phase, I started to think about Japanese quilts – most likely because I recently purchased two books on modern Japanese quilting by Susan Briscoe. She is a textile artist who worked in Japan for many years as an English teacher. In her book, Japanese Quilt Blocks to mix and match, she features 125 patchwork, applique and sashiko blocks in a modern style that is inspired by tradition. Textiles recycled from kimonos and other garments give the blocks an Asian look.

Consequently, I decided that my original plan was not abstract enough. I discarded the house block already constructed and made one using the Japanese block called Sunken Hearth.

In fact, I made two hearth blocks – one in bold colors for the middle ground and one in faded pastels for the background. This second block is located half-way up the mountain in the foggy part of the landscape.

I redrew the upper right corner of the design from clouds into a mountain. You could think of it as Mt. Fuji. The fabric is a white-on-white print of spirals, suggestive of clouds to me.

As of today, I am about 2 thirds finished with the piecing phase. I have completed four rows out of seven.

By the way, I have a new favorite tool:

This flexible flat-bottomed shape is a technical drawing tool that belongs to Bill. He got it back in his college days for a class. Using this tool, I can match up a long curve which crosses over two different blocks. I Love it.

One more Japanese touch will be added to the lower right corner. In the reference photograph, there is a group of red-twigged shrubs behind a stone wall. I plan to use the Pieced Ogi, aka Folding Fan, to abstract this feature.