Tag: applique

Posted in collage, colorwork

Inspired by a Bird

Posted on by Laura Kate

The idea for this fiber object came to me one morning while porch-sitting with a book. It was a gorgeous day, but I was poring intently, with all my focus, on the book in hand. Surprisingly, I no longer remember what I was reading. The probable cause of this memory lapse was the very thing that intruded upon my thoughts. A catbird had begun an insistent and virtuosic song. The sound tore my mind from my book and into the present moment. Looking about, I failed to spot him. So instead of continuing to search with my eyes, I closed them and sat back in my chair.

Pretending that I possessed synesthesia, I imagined what that birdsong might look like, if it were visible. There were deep chortles and murmurs, but also squeaks, shrieks and ascending melodies. It went on and on. And on. Eventually the catbird flew off.

Here’s what I wrote in my journal: “Sky-inspired painted background. Reverse applique to suggest an unseen bird. Throaty -chortling purples, warm tones high pitch trills – bright white squeaks. dashed gestural lines to suggest direction of pitch. Parallel wavy lines for a musical staff.”

All very poetic. But I want to make a piece of visual art, and as such it must have form.

This week I got underway. Since my fabric paints were out, I started with the background. On a piece of white quilting cotton I stroked colors that I thought would make a good sky at daybreak – pale blue, violet, peach and gold. I achieved this rather startling canvas:

Paint is still wet here

What sort of a sky has leaf and dark green in it? None I’d ever seen. I was prepared to set it aside and start again. But on second thought, I chose to continue with this background. The unconventional sky colors can represent the effect of birdsong on the air. Here is my bright background after it dried.

Next comes the sketch. I put the catbird’s silhouette in the lower left.

Now the hard part. Searching my fabrics for the colors mentioned in the journal, I found some purples and some brassy bright scraps. Also a few interesting prints. Most of yesterday was occupied with choosing, cutting and attaching fusible to the back of my chosen fabrics. Here is what this applique quilt looked like at the end of the day.

“Catbird Sings” stage one
Close up

While I am keen to get on with this work, I need some supplies. So I will have to pause pending a visit to the craft store.

Posted in quilting

SAHRR Round 2 – Angular Puzzle

Posted on by Laura Kate

On Monday I learned that the next prompt for the stay at home quiltalong was Plus Sign. As in the past round, several challenge participants had their additions up and posted on the first day. I was not so quick to get to work. First of all, I wasn’t sure where I should place a plus sign on my project. Secondly, I wasn’t sure what technique I wanted to use I considered all of these options in turns:

  • Nine patch blocks made with contrasting strips
  • Painted on, either freehand, stamped or stencilled
  • Applique
  • Reverse applique

As I awoke this morning, I had the answer – really, it came to me just as I got out bed! I remembered this little tool stuffed away in my sewing cabinet:

I would make plus sign appliques, but I would do it with fabric strips run through the bias tape maker. This tool folds under the raw edges making a very even tape, very quickly.

It turned out to be the only part of the project that was quick.

My first goal was to bring the gray X motif, which had a prominent place on this work, to a graceful close. To do this, I cut and pieced a border using the light blue and dark grey fabrics, with the grey piece matching the angle of the X already in progress.

Here are three of these borders, sewn and ready to be pressed.

When sewn in place, the grey X get its rectangular legs finished up.

Now I am ready to add the plus signs. It’s time for the floral batik fabric to make another appearance. I cut it into four triangles to finish the corners. It is here that the plus signs will appear.

Corner triangles and tape, ready to be fused together

One of the problems I had with using the plus sign motif is that it looked like a stubby, ungraceful pair of sticks to me. To solve this issue, I decided to elongate two sides of it. The long legs will come from the edges of the triangles, with the cross happening at a right angle in the corner.

All of this sounded very simple to me, in terms of the construction steps. This is where my lack of experience kicked in. After prepping the pieces, I started sewing them in place. Nothing would line up correctly! I measured each triangle, but didn’t find anything wrong with their angles. After spending an hour or so, sewing on and removing a few triangles, I finally realized that I had failed to true up the border edges. What a rookie mistake!

Eventually I sorted out the 90 and 45 degree edges and sewed everything together.

To see some of the other quilters’ work, you can visit their posts.

Here:

Posted in embellishing

Adjusting to the New Normal

Posted on by Laura Kate

So my health insurance company sent me a mask.

I’ve been struggling along with a pathetic homemade mask that I whipped up quickly. This is a very nice one, but I draw the line at being a walking billboard for some company. I decided to make a few modifications.

Applique fused on and embroidered with cotton floss.

That little motif covered the logo nicely. Then I thought, what can I put on the other side of the mask? It came in a flash – why not advertise myself?

This is my new normal.

Posted in colorwork, painting, quilting

Follow up on Fence Questionaire

Posted on by Laura Kate

First of all, everyone said “Keep the fence.” Many of you liked the wine-purple color, but some agreed with me that an adjustment of some kind was needed.

I did try options 1 and 2.

Option 1: Start over with another fabric. Here are the samples I painted on the white fabric. I decided that it was a fun exercise, but just didn’t look too fence-like.

Option 2: I applied a wash of a cool blue color to tone down the strident red violet.

It just plain didn’t work as intended. To my eye, this is worse than before.

In the end, I chose to start again with the original fabric, for the same reason that I picked this fabric in the first place. The print had an earthy, woody texture to it. This time I mixed my violet paint with enough azure blue to create a sort of periwinkle or lavender tone. I also modified my foam brush by cutting notches into it.

The Winner!

Thanks to all who participated in the game. Your encouragement and positive remarks let me feel the community around me. I wish I could give you each a hug.

Now I can move on to sewing. I’ll start with a little hand embroidery on the flowers.

Happy making to all and to all a good day.

Posted in collage, quilting

Sunflower Fiber Object Progress Report

Posted on by Laura Kate

For the past three days I have been working steadily on the small art quilt that was inspired by the sunflowers in my garden and influenced by Vincent Van Gogh. I’m about half way through. Today I want to share a bit about the process I am using.

While the technique I have chosen to use is applique, the design process for most art quilts is similar. Start with an image. I used a photograph, but drawings are also good choices. Decide on size and dimension. Then enlarge the image to fit.

This enlargement is about 18 x 24. I have printed it in black and white because eliminating the color makes it much easier for me to judge relative values.

Using a tracing paper overlay, trace the image. During this stage many design decisions are made. You want to eliminate any visual clutter that doesn’t support the overall design. You can manipulate the different elements to strengthen your main thesis. For example, I altered the position of one flower and the tilt of the stems to accentuate the diagonal lines. It took me a long time to draw the pattern but I enjoyed the process.

Final Design

This pattern will be the map from which the entire assembly is guided. I drew in some directional lines that suggest details for painting on later. You see that I assigned numbers to every element. This will help me trace and cut out all the pattern parts.

Detail of sunflower in upper right of pattern

Now the part that every quilter just adores: Choosing colors and fabrics! Since I am a budding painter, I made a quick color chart in water color paint.

I’m trying to use an analogous color scheme. But my parameters are pretty wide, extending from violet through to yellow-orange. For this quilt I will assign the darkest colors to the background and the lighter ones to the elements .

Even though I did go shopping, in the end I chose fabrics mostly from my stash.

Next I traced each element onto freezer paper, cut them apart and pressed them onto the fabrics. Following the drawn lines, I cut out each pattern piece. Keeping them organized and up off the floor is the main challenge!

In my last post, you saw how I painted the background fabric. Here is the background again, up on my design wall and ready to accept the fabric appliques.

I use a fusible webbing called Wonder Under to glue the appliques to the background. I won’t go into detail on that step. The product’s packaging tells you what to do.

First I assembled the flowers, each of which had several fabrics. Once that was done I started attaching appliques to the background. Any pieces that lie behind another piece go down first. I started from the top. Here is a photo with about half the appliques on:

Here you see all of the flowers and leaves attached. This is where I left it yesterday.

I’m pleased with the result. I like it so well I may not even attach the fence applique – just let the flowers float in mid air. What do you think?