Posted in embellishing, hand embroidery, recycling

Visible Mending

Earlier this week, a friend of a friend asked me to help him mend the holes in his favorite jeans. He didn’t bring any patches along, so I just used needle and thread to weave across one of the holes as a demonstration. That got our conversation started about the concept of visible mending.

The artist I was thinking about is Celia Pym.

An article and some images of her work can be found here:

The conversation reminded me that I had set aside a pair of jeans of my own that were now holey at the knees.

Perhaps the universe is telling me it’s time to start this project. Despite having an abundance of UFFOs littering my studio, I began working on the jeans.

First of all, I wanted to incorporate patches over the weak-at-the-knees areas. Having been told in the past NOT to throw away fabric scraps, I was able to find some interesting scraps already coated with fusible glue.

It took me less than 30 minutes to fussy-cut some flowers that could cover the holes. I added even more patches just to create a colorful floral field on the denim.

Wow – shades of the sixties.

I do intend to embroider over the patches. This will serve to strengthen the patches and unify the design a little bit.

Getting started with embroidery – pearl cotton

It’ll take me a few evenings to get all the hand stitching done. But first, I wanted to address the torn logo on the back of the jeans.

These are Levis jeans but the leathery label on the waistband is nearly gone. I used a small pair of scissors with a sharp point to cut away the remaining bits and thread.

Next I made a label of my own and stitched it into place.

DAILY FIBER FUN – BY HAND

Yesterday I purchased a variety pack of pearl cotton thread in shades of pink, purple, aqua, blue and yellow. I’m really looking forward to jazzing up these tired old jeans.

Posted in collage, embellishing, quilting

Catbird Sings Reveal

In his Guide to Birds, David Sibley describes the gray catbird’s song thusly:

” …a rambling, halting warble with slow tempo…low hoarse notes with high sharp chips and squeaks interspersed….little repetition and little mimicry.”

…..which is, while accurate, a rather dry and technical explanation for what I heard that day:

Catbird Sings

In my final arrangement of this fiber object, I ditched the blue fabric which I was going to use as a framework for the “notes and chips.” Instead, I let the purple satin cord act as a highway for the eye to travel to each vocal outburst. I also unified the color of the lower section by overpainting the batik print using violet.

Close up of bird hidden in purple shrubbery

The free motion stitching wasn’t overly planned. I mostly just followed the clues given by the appliques and the color changes in the background.

Upper section finished with closely spaced stitching and pearlescent paint

I hope you enjoy “seeing” this catbird’s song, as much as I enjoyed listening to it.

Posted in collage, quilting

Wednesday WIP – Art Quilt

Yesterday I spent some time working through the design and material choices still facing me with regard to “Catbird Sings.” I settled on the arrangement for the lower half of the work, tacking it into place. The violet satin cord will serve as a transition device linking the lower to the upper half of the piece.

It will be couched into place when I start sewing. Next I chose and cut out various bits and bobs from two printed fabrics to represent his varied “cat calls”.

The colors all link well to the palette chosen. The wavy lines will represent the loud squawks. Before proceeding to the next steps, I treated all the edges with Fraycheck.

Those wavy pieces in particular will shred massively if not treated.

I was ready to test some layouts for the upper half:

I like this grouping. But do I use the daisies with petal sides up……..

….or petal-side down. Hmmmmmmm….. I like the line created by the upside daisies.

TENTATIVE FINAL ARRANGEMENT

And here is how I left the work. Before I finalize, I will need to decide on how I will quilt all of the different sections. It won’t do to fall in love with a layout and then struggle to quilt around it.

I’ll sleep on it and see how I feel the next day.

Posted in collage, colorwork

Inspired by a Bird

The idea for this fiber object came to me one morning while porch-sitting with a book. It was a gorgeous day, but I was poring intently, with all my focus, on the book in hand. Surprisingly, I no longer remember what I was reading. The probable cause of this memory lapse was the very thing that intruded upon my thoughts. A catbird had begun an insistent and virtuosic song. The sound tore my mind from my book and into the present moment. Looking about, I failed to spot him. So instead of continuing to search with my eyes, I closed them and sat back in my chair.

Pretending that I possessed synesthesia, I imagined what that birdsong might look like, if it were visible. There were deep chortles and murmurs, but also squeaks, shrieks and ascending melodies. It went on and on. And on. Eventually the catbird flew off.

Here’s what I wrote in my journal: “Sky-inspired painted background. Reverse applique to suggest an unseen bird. Throaty -chortling purples, warm tones high pitch trills – bright white squeaks. dashed gestural lines to suggest direction of pitch. Parallel wavy lines for a musical staff.”

All very poetic. But I want to make a piece of visual art, and as such it must have form.

This week I got underway. Since my fabric paints were out, I started with the background. On a piece of white quilting cotton I stroked colors that I thought would make a good sky at daybreak – pale blue, violet, peach and gold. I achieved this rather startling canvas:

Paint is still wet here

What sort of a sky has leaf and dark green in it? None I’d ever seen. I was prepared to set it aside and start again. But on second thought, I chose to continue with this background. The unconventional sky colors can represent the effect of birdsong on the air. Here is my bright background after it dried.

Next comes the sketch. I put the catbird’s silhouette in the lower left.

Now the hard part. Searching my fabrics for the colors mentioned in the journal, I found some purples and some brassy bright scraps. Also a few interesting prints. Most of yesterday was occupied with choosing, cutting and attaching fusible to the back of my chosen fabrics. Here is what this applique quilt looked like at the end of the day.

“Catbird Sings” stage one
Close up

While I am keen to get on with this work, I need some supplies. So I will have to pause pending a visit to the craft store.

Posted in quilting

SAHRR Round 2 – Angular Puzzle

On Monday I learned that the next prompt for the stay at home quiltalong was Plus Sign. As in the past round, several challenge participants had their additions up and posted on the first day. I was not so quick to get to work. First of all, I wasn’t sure where I should place a plus sign on my project. Secondly, I wasn’t sure what technique I wanted to use I considered all of these options in turns:

  • Nine patch blocks made with contrasting strips
  • Painted on, either freehand, stamped or stencilled
  • Applique
  • Reverse applique

As I awoke this morning, I had the answer – really, it came to me just as I got out bed! I remembered this little tool stuffed away in my sewing cabinet:

I would make plus sign appliques, but I would do it with fabric strips run through the bias tape maker. This tool folds under the raw edges making a very even tape, very quickly.

It turned out to be the only part of the project that was quick.

My first goal was to bring the gray X motif, which had a prominent place on this work, to a graceful close. To do this, I cut and pieced a border using the light blue and dark grey fabrics, with the grey piece matching the angle of the X already in progress.

Here are three of these borders, sewn and ready to be pressed.

When sewn in place, the grey X get its rectangular legs finished up.

Now I am ready to add the plus signs. It’s time for the floral batik fabric to make another appearance. I cut it into four triangles to finish the corners. It is here that the plus signs will appear.

Corner triangles and tape, ready to be fused together

One of the problems I had with using the plus sign motif is that it looked like a stubby, ungraceful pair of sticks to me. To solve this issue, I decided to elongate two sides of it. The long legs will come from the edges of the triangles, with the cross happening at a right angle in the corner.

All of this sounded very simple to me, in terms of the construction steps. This is where my lack of experience kicked in. After prepping the pieces, I started sewing them in place. Nothing would line up correctly! I measured each triangle, but didn’t find anything wrong with their angles. After spending an hour or so, sewing on and removing a few triangles, I finally realized that I had failed to true up the border edges. What a rookie mistake!

Eventually I sorted out the 90 and 45 degree edges and sewed everything together.

To see some of the other quilters’ work, you can visit their posts.

Here: