Posted in painting

F.O. Friday – Painting

This project has been sitting around since mid May.

Back then, I sketched a picture that was a composite of two photographs: A group of fuchsia blossoms and a hummingbird.

Eventually I used this image during a class I attended on collage technique.

It was more convenient to transfer the image in reverse.

But had always intended to paint it. Today I finally finished. Here is my process:

Transfer of drawing and first wash of flowers
Bird body and wings painted, second wash on flowers
Details added to bird
PAINTING COMPLETED

To finish it, I worked in a pale background wash, added final details to flowers and deepened the darks on the hummingbird.

This was a very good learning experience. If I were to paint it again, I would choose more transparent pigments. The cobalt blue was more granulating than I liked, and the alizarin crimson did not give a clean delicate hue on the flower petals. Instead I would use a mixture of ultramarine blue and Thalo blue and use quinacridone magenta, very thin, for the petals. I would also apply the background wash first. It was very tricky to work it around the finished flowers.

The parts I do like: The composition, the texture of the feathers and bird wings, and the shading on the petals.

Posted in painting

Furry Animal Monday

I’ve been practicing painting squirrels. Here is my reference photo of a cute one perched on a stump at the forest’s edge. It is found on Unsplash.com and was taken by Yannick Menard

Yannick Menard on Unsplash.com

He’s so little and fuzzy. Here is how I interpreted him with my watercolors.

Completing this painting in my sketchbook was a real confidence builder for me. I think now I may be ready to paint squirrels that were photographed in our backyard.

Posted in drawing

Sunday Sketching

Today I am posting another sketch of Cat. Cat used to be best friends with Henry, when Henry was toddling. I am interested in painting some watercolor pieces of Henry and Cat. So I thought I would practice with graphite. first.

Reference photo:

My sketch :

I spent my time on this one. It was a very enjoyable process. I think that’s because I have such happy memories of this time in my life. Back then we would drive to Albuquerque to visit our daughter’s family two or three times a year. Cat was just another family member back then.

I hope this drawing does honor to the memory those sun-filled days.

Posted in painting

Friday Finished Object: Watercolor

Lindsay Weirich, the Frugal Crafter, recently produced a tutorial showing how to use granulating pigments to create texture in watercolor paintings.

Get the Most from Granulating Colors (you already have!) Watercolor Techniques Video! ‹ The Frugal Crafter Blog ‹ Reader — WordPress.com

I loved the tutorial and wanted to try her technique. But I had in mind a landscape. Specifically, I wanted to paint mountains.

One of the artists I follow is Mitch Zeissler. He posts photographs taken over the past ten or so years using a Leica 35mm film camera. The one I have in mind is a black and white picture of the Madison Range in Montana.

South Along the Madison Range – ÆtherPx (aetherpx.com)

What attracted my eye were the lines of the landscape. They drew a series of enclosed planes that could be filled with a variety of granulating colors in a wide range of values.

Once I had worked through that step, I painted the foreground with some imagined animals and prairie grasses. Today it was finished.

Thank you, Lindsay and Mitch for sharing your work and stoking my creativity.

Posted in collage, embellishing, quilting

Catbird Sings Reveal

In his Guide to Birds, David Sibley describes the gray catbird’s song thusly:

” …a rambling, halting warble with slow tempo…low hoarse notes with high sharp chips and squeaks interspersed….little repetition and little mimicry.”

…..which is, while accurate, a rather dry and technical explanation for what I heard that day:

Catbird Sings

In my final arrangement of this fiber object, I ditched the blue fabric which I was going to use as a framework for the “notes and chips.” Instead, I let the purple satin cord act as a highway for the eye to travel to each vocal outburst. I also unified the color of the lower section by overpainting the batik print using violet.

Close up of bird hidden in purple shrubbery

The free motion stitching wasn’t overly planned. I mostly just followed the clues given by the appliques and the color changes in the background.

Upper section finished with closely spaced stitching and pearlescent paint

I hope you enjoy “seeing” this catbird’s song, as much as I enjoyed listening to it.