Earlier in the week, Quilting Gail had let me know that my name was randomly selected to receive a door prize for participating in this year’s Stay At Home Round Robin quilt challenge. I was thrilled to learn that the prize was Aurifil thread! Of all the gifts that were sponsored this year, the thread was the one I had my eyes on. I’ve been wanting to try this superior brand of thread for several months now, ever since a certain big box store discontinued offering its line of quilting thread – I’m pointing at you, Hobby Lobby!
The Necessities House Collection includes four neutral shades ranging from white to black. For piecing one’s quilt, this covers all the colors that one would need to get the job done. I can’t wait to try it out in my Bernina machine.
So here is my shout out to Gail and her cohorts for organizing the challenge.
And here’s my shout out to Aurifil for its generosity in sponsoring SAHRR 2024.
To see the quilt I made for the SAHRR 2024 challenge, click here.
There was quite a crowd at today’s Open Studio. Cheryl Bryan decided that this session would be focused on playing with our paint. She brought examples of daffodils rendered in a stylized fashion using watercolor and pen.
Watercolor painted and photographed by Cheryl Bryan
I have been struggling with painting lately, so it was very therapeutic for me to let go and try stuff. Here is my 3 by 5 1/2 single daffodil based on the reference image.
After making the drawing with pencil, the panel was taped off and splashed with water Three colors were selected, dropped on the wet paper and encouraged to run. I used Winsor yellow, transparent orange and Prussian blue.
The paint was allowed to dry, then additional paint worked in, mostly around the edges and into the background. After drying thoroughly, the tape was removed and lines worked over the painting. I used a dark blue Micron pen. It was fun to let the elements of the image slip outside the border.
Next, I pulled out one of Bill’s photographs. He loves shooting images of the daffodils in our front yard. This variety is called geranium. They have tiny clusters of three or so flowers topping each plant.
copyright Bill Riley
Using the same technique, I worked these cuties in a cool palette of carbazole violet, quinacridone magenta and Prussian blue.
I intensified the color in the short trumpets with some watercolor pencil in gold and dark magenta.
Despite the crowded room, I ended the session feeling relaxed and confident. Now I am ready to return to a slightly bigger painting that I have started, which features a butterfly and some spring weeds. Stay tuned.
To see some of Cheryl’s gorgeous watercolor paintings, you can visit her website:
This is the week that Quilting Gail has designated for challenge participants to post pictures of their finished quilts. The Stay At Home Round Robin challenge is in its fourth year. It’s been a fun ride for me, and pure pleasure to see the work of other quilters as they add a border week by week.
It started for me when I chose a center block from a group of experiments that I did almost five years ago. Back then I was teaching fiber arts to a group of home-schooled children. One week I had the students experiment with fabric paint on pieces of a cut-up sheet. The panel I used in my SAHRR came from the example I made, to show the students some of the possibilities of fabric paint.
Four colors of paint were applied in bands horizontally across the fabric and allowed to bleed together. When the panel dried, it looked like a mountain scene to me. I enhanced the image with opaque white paint, paint pens and stencils of pine trees.
The painted panel set the color palette for my SAHRR.
That choice led me on a path which resulted in a quilt about migration. For some time, I had been toying with designing and sewing paper pieced butterfly blocks. Could I make a quilt about the monarch annual migration to Mexico? The time I spent researching this migration led me to think about the wider issues of habitat loss and climate change. Now I had a broader story to tell with my quilt.
The weekly challenges offered by SAHRR quilters helped me to build some structure around my ideas. For that I am grateful.
Here are some close-ups of a few details I added with applique and micron pens.
And here is my finished quilt:
Just a word about the materials used: I was determined to buy nothing for this project, making it entirely with stuff that I already owned. I mentioned the cut-up sheet. In addition, I recycled pieces of clothing such as dresses and men’s shirts. The main fabric, which was used as sashing, was also divided up and painted various colors to carry it into most of the borders. Ultimately, I did have to buy a few quarter yards of black patterned fabric and the quilt’s batting.
Thank you to organizer Quilting Gail and her fellow designers who put together this year’s SAHRR challenge. You can find their work here:
It just now occurred to me that I cast on this stash-busting brioche stitch hat more than a month ago. Time to show the final product.
In my first post about the project, I noted that working brioche stitch was quite new to me. I elected to knit this little beanie because it was advertised as an easy pattern for beginners.
Yes it was. But I still made mistakes. Notably, every time that I knit back to the beginning of a round, I became confounded when picking up the second color and starting the next round. Consequently, I have some weird-looking contrast color bars across main color stitches in some rounds.
Thankfully, they are visible only on the inside of the beanie. (not shown in the photo……..why advertise one’s mistakes?) So I don’t recommend that the hat be worn flipped to the reverse side. Trust me on this.
On the plus side…..
It is very soft and squishy
It is comfortable
It will probably be very warm on a cold day.
On the down side……..
It is pretty loose on the head.
It shouldn’ be worn on a windy day
It probably doesn’t match your school colors.
Winter is quickly drawing to a close. Despite the fact that Spring is my favorite season, I’m a little sad to see Winter go. I’ll be taking a pause on knitting warm accessories for the hot months ahead.
What’s next in store for my yarn stash? I’ll take stock of what sort of fiber is left and see what I can craft out of the much-shrunken remaining inventory.
It is the final week of the 2024 Stay at Home Round Robin challenge. In my last post, I had part-way finished the round 5 challenge (the number 4) but was flummoxed by the Round 4 challenge (square in a square). Working many hours on my quilt this week, I managed to sort out and assemble round four, as well as the second side of round 5. If you are following this, I recommend that you get comfortable, because this is a long post.
Let me start by sharing two inspiration photos.
A kaleidoscope of butterflies.
A boatful of refugees.
It’s possible that the connection between these two images isn’t obvious. When I tell you that the theme of my quilt is migration, my choices will make more sense to you.
For at least a year I have wanted to paper piece some butterflies and use them in a quilt about migration. I even went so far as to design three different patterns in multiple sizes. After fooling around with them, I ended up putting them away for a later date. It’s now 2024 and, it’s clear to me that now is the time for the butterflies.
Most of my paper pieced butterflies were in plain blocks. But because Round 4 is square in a square challenge, I used two small butterflies as centers
This border took me almost three days to design and construct, but I don’t regret any of the time, or the mess left behind. The result exceeds my expectations.
Moving on to the top border, which also is included in my Round 4. Here is the shirt I cut up to get the fish fabric.
I wanted to sew the blocks in a manner that gave the illusion of fish swimming upstream. Here is my first attempt, which was a total fail.
To move forward, I did what everyone else does. I looked at other quilters’ work. I noticed one quilter put together a square in square that totally changed the appearance of the block, simply by mixing up the corner triangles’ colors. The lesson: you can use more than one color. Ahhhhh! Out came the seam ripper to completely disassemble my entire border. I threw away all the corners and made new ones. Now I have six square in square blocks that work together the way I envisioned.
Deep, breath – on to my refugees. Using my inspiration photo, I made a sketch that caught the essential elements. Then I turned the sketch into a pattern. Because the shapes of the people are not straight lines, this part of the design was not made by paper piecing. It was appliqued to a background of sky and water.
The finished block is 12 x 6 inches.
And if you look closely, you can see how I met this week’s challenge by adding the lettering that appeared in the inspiration photo.
I wrote the words with a purple fabric pen.
This morning, I threw together several four-patch blocks to fill in the right side of the quilt. And while it’s not completely sewn up, and two corners need transition blocks, this quilt top is close enough to a finish that I can post it on the linky party site.
MIGRATION WORLD
If you are still with me, thanks for reading all of this. It felt important to me to share my process. Maybe it’s a way to clear my mind for what may come next.
This week’s Linky party is hosted by Kathleen McMusing. Visit her to see the quilts of other participants.
Daily Fiber 