This is my mixed media interpretation of Bill’s photograph of baby sparrows in a crowded nest. I have encased my watercolor painting in a free-form weaving.
He found these hapless birds in a fake flower wreath near the door of a busy downtown business.
I did the watercolor painting on a six by six stretched canvas. After it dried, I pounded in the tacks and strung a warp of Perl cotton embroidery thread. The weaving was worked with yarn and floss in compatible colors. To finish, I poked holes through the canvas and gathered up the threads to create peepholes for the birds.
I’m not sure if I intended some kind of statement about the crowded world, or the clash of humanity and nature. Or maybe it was just a little experiment.
Today I have a progress report on my quilt inspired by a medieval manuscript.
Here is the center of the quilt. It is formed by the four corners of each four-by-four block. Upon first seeing that blank white diamond, I knew that it would work beautifully for a God’s Eye. After practicing on scrap fabric, I wove the centerpiece design into place. The four arms of the weaving are gold satin cording which I couched into place. The weft yarns are a combination of cotton embroidery twist and wool fingering weight yarn leftover from many a sock project.
I think it balances the four creation paintings beautifully.
Here are the quadrants of the piece at this point.
Now I can begin quilting. To start, I will stitch into the seamlines of all pieces. (AKA stich-in-the-ditch.) Next will come the free motion quilting. I have something special in mind for the light color patches which will involve more colorwork.
Today I am posting again an object I created back in 2019. It is a weaving on a slightly unconventional fixed frame that I made from an old picture frame and some buttons.
I call it “Escape from the Tower.” Its inspiration resides in my departure from the world of Paid Employment. I suppose it is a bit of an allegory. It represents the feeling of freedom and relief as I gained complete control over my schedule.
When I thought up this piece 2019, I was teaching fiber arts to elementary students. One month we studied weaving. The assignment was to create a frame using a piece of cardboard and cotton yarn. Since I needed to make examples of each project that I taught, I had the opportunity to experiment with different ways of wrapping the weft yarns around the warp yarns.
Eventually I came up with a tapestry frame that was decorative, becoming a permanent part of the weaving.
You may have noticed that the Tower is on fire.
I guess the devil in me made up that part of the weaving. The golden rope stretching down through the smoke and flames delivers the Tower’s occupants to safety.
I’ve had this hanging in my studio since its creation. Our local art association is having a show and I decided to enter “Escape from the Tower.” Starting next week it will be on display at the town library along with works by other members of our group.
I will be curious to hear what viewers think of it.
First of all, I want to say that the Christmas To-Do list posted on the wall was a big hit with family members who visited us this year.
Of the twenty items on the list, all but four were completed – with great enthusiasm, for the most part. We made a few changes: no one was interested in making wreaths, but the fly fishermen among us wanted to tie some flies. So there was that substitution. And since the cars took up the whole driveway, we played sports in the backyard. Many times. The weather was remarkably warm and sunny, hence No Fire in the Fireplace.
I received two fibery gifts. The first was a pair of sock yarns, originating in Wisconsin.
I have worked with Ewetopia sock yarn once before and found it very pleasant – it is round, tightly twisted and produces a sturdy fabric. The swatch of the dark plum gave a deep tonal, slightly shaded fabric. The yellow green color, named Caterpillar, gave a stripey fabric characterized by short repeats.
My second gift was a handful of woven linen swatches, made decades ago by my son in law’s grandmother.
After studying them for a while, I was able to work out which direction were warps and which were wefts. Some of these brocades must have been devilishly difficult to construct. I want to preserve them, but I also want to use them in some way. At the moment, I am considering working the swatches into a stretched canvas piece.
It was a busy and tiring week at chez LauraKate. While I intend to write about my body of work made in 2020, that discourse must wait for tomorrow. Today will be dedicated to tidying the craft room, folding the laundry and roasting a chicken.
This is the little weaving that I had started as an example for my fiber arts students. A few weeks ago, I was cataloging a list of my unfinished objects. Spying it lying around, I realized that I needed to count it as one of the dirty dozen UFOs.
Today I can announce that this weaving has moved to the finished pile. After working to the top of the warp, I cut off the yarn and worked the loose ends into the back of the weaving. There was still a lot of looseness on all four edges of the piece. I decided to machine stitch around the sides. After that, I slipped the top and bottom loops onto a pair of knitting needles and considered it done.
I call it Blue-Orange Duet.
Image showing machine finished edges.
Mulling about what to do with it…….. Hm, I noticed that the weaving’s colors worked very nicely with my origami installation piece on the east wall of the studio.
Daily Fiber 