Yesterday I got to work on changes to my studio, so that I can keep painting and sewing projects going at the same time. First of all, I put together a table top pressing board. It is a rectangle measuring about 19 by 21 inches. This addition allowed me to put the big ironing board away in the closet. I set up the card table under the window.
There is just enough room to allow me to paint on one canvas at a time, with all of the painting supplies directly at hand. To the right you see the big table that serves as my main work surface. The Bernina is on the shelf, ready to go at a moment’s notice.
To test out this arrangement, I got busy with the watercolors. I brushed washes on to two pieces of paper. My inspiration for the first painting was a photo I took when visiting Ohio in November. It is a slightly fuzzy image of Mogadore reservoir, the shoreline surrounded by bare branches.
Quite a lovely, abstract landscape. Here is my interpretation of the scene using a violet and turquoise wash blended slightly.
The second piece of paper was washed with the turquoise alone – two coats to get it even. For inspiration, I flipped through some reference photos I had saved and came up with this indigo bunting.
It inspired me to attempt a negative painting. In this technique, you paint around the area of the subject, drawing it out by subtracting the surrounding space. This first try at negative painting didn’t go very smoothly. I ended up having to use some white gouache on the bird to pick out the details.
Once the paint had dried, the little bird flew away. He found a perch among some of his feathered friends. I quickly snapped this photo.
He seems so at home there.
The casual observer will notice that my background turned out very streaky. I used a combination of burnt sienna and Payne’s gray with not too much water. It took a few coats over the turquoise wash to get the uniform color I was seeking. I used quinacridone gold on his perch.
Perhaps tomorrow I will start sewing again.
Daily Fiber 