Posted in painting

Quick Study: Winter Scene

I laid down this wash yesterday so it had plenty of time to dry. This is a weak blend of French ultramarine blue and sap green. It took mere minutes to paint.

This morning I had a firm idea of what I wanted to do. First I washed some water over the lower portion and blotted up the excess. This brightened the foreground. Using a one inch flat I brushed the sky with a stronger ultramarine wash and picked out the clouds with a tissue. The rest of the paint went on with the same brush using vertical strokes for the trees and horizontal slashes for the snow shadows.

At the end, I used the Sumi brush to work a little burnt sienna into the trees. It was this last step that caused the wonderful blooms. I love the texture that resulted.

Total time to make this impression: 15 minutes.

Pigments: Ultramarine blue, sap green, payne’s grey and burnt sienna.

Posted in painting

A New Paper

Last week my order from Jerry’s Arterama arrived just in time. I had run out of watercolor paper. Here is my choice:

I was convinced to try this particular paper by a video demonstration from manufacturer. While the cotton content is only 25%, it was described as the next best thing to 100% cotton at less than half the price. If I use 1/2 a page per exercise, my daily cost for paper will be .25 cents.

So how did my first try go?

This is a gradient wash using Thalo blue. I didn’t get it as gradual as I would have liked, but I found it acceptable for my purpose. For the next one, I used a Sumi brush to manipulate the wash more while spreading it over the wet paper.

I really like this effect. The flares, or blooms, of pigment near the top of the paper suggest flowers to me. So I chose to paint poppies.

I probably spent about 45 minutes on this – 2 times longer than my allotted 15 minutes. What I like about this painting: By using a lot of water and working with the shapes left on the background wash, I achieved an impressionistic look. I was also able to make some nice shadows and highlights. What I don’t like: My brushstrokes are hesitant and a bit fussy. And the darks could be darker.

To evaluate this paper, I will need to paint on it a lot more. My initial impression is satisfaction. It didn’t buckle and it stayed wet an acceptable period of time.

Posted in painting

Today’s Mini Painting

I am carrying on with color wash experiments. Today I am exploring yellow ocher. I started out by wetting the paper before dropping on the paint. Yellow ocher pulled from the top to near the bottom. Then I brought violet up from the bottom to mix and mingle with the yellow. Here you see the washes still wet.

I stared at the dried paper for a long time before deciding what to do. To me, the colors reminded me of a place where my family has spent many a vacation: New Mexico. The American Southwest is characterized by dark, crumbling mountains and earthy adobe dwellings. I wanted to portray this idea in a quick sketch.

Using a watercolor crayon, I drew in the buildings as I remembered them from past visits to Albuquerque and Santa Fe. Next came a little texture painted on the purple foreground. And lastly, I added a bit of blue for sky, pulling the paint down to touch the horizon.

I call this Santa Fe Dream.

Posted in painting

A Rosy Picture

Still working with the quinacridone red wash, I decided to paint a dried-up oak leaf over the washed paper. Here is my pencil sketch, drawn from a leaf I brought home with me a few weeks ago.

My experiment today is with a wet-on-wet technique. First I used plain water stroked over sections of the leaf individually. Then I dropped in burnt sienna. After watching the brown spread out, I added drops of different colors.

Adding details, I painted in the stem, veins and a shadow. Next came a little white gouache stroked over the pale veins. And finally some brown pen outlined the edges.

This one makes me feel happy.

Posted in knitting, painting, quilting

Carrying On

While it was a struggle to pull my eyes away from yesterday’s news feed, I got a surprising amount of work done. We even managed to take down and store the Christmas tree.

My new approach to watercolor painting adopted on Jan 1st has me excited about the potential. This time I chose to apply a quinacridone red wash. After it dried, I added a miniature landscape of snow-covered mountains at dawn.

This took me very little time to complete and I enjoyed every brush stroke.

Moving on to sewing, I got another block design worked up on the Animal Friends project. Here is a little pet condo in bright colors and fun geometric shapes.

That brings my completed block count on the project to twelve. I’m half-way there!

And finally, I found a use for some old yarn from a knitted item that I frogged almost ten years ago. It is a KnitPicks yarn called Gloss – a very soft blend of wool and silk in a dark green color. I bought three balls of a complimentary color to make this charming capelet.

https://ravel.me/isochronal-arc

The combination of slip stitch and lace kept me alert and engaged as the fabric appeared.

I will post this as a finished object tomorrow.

And in conclusion, my dear crafty friends, let’s all follow EZ advice.

Now, let us all take a deep breath, and forge on into the future; knitting at the ready.

“The Opinionated Knitter” by Elizabeth
Zimmerman