painting – Page 17 – Daily Fiber

Experiment with Stitch and Slash

Posted on July 20, 2022 by Laura Kate

While perusing available art quilt technique tutorials, I discovered another use for my hand-painted fabrics. Carol Ann Waugh teaches a modern take on reverse applique in her class on Craftsy. She calls it Stitch and Slash. It was inspired by the traditional molas made by the Kuna women of Panama.

Molas

In Carol’s interpretation of the mola, four pieces of fabric are selected and layered together. Then a design is chosen, marked on the back of the pile and stitched into layers. The similarity with the traditional molas stops here, when Carol gets out her seam ripper and slashes away at the assembled fabric Instead of nice, neatly stitched edges, she ends up with frayed, textured ones.

Okay, I thought, I have the perfect set of fabrics to try this out.

The two painted pieces are layered with a dark green batik print and a brown textured print. You see here the back side of the brown fabric, which I will be using for the top layer. Nearly all of the this layer will be cut (or torn) away.

Here is the back of my piece, showing marks stitched through.

Getting started with the slashing: You see in this photo all the top layer is gone, part of layer two gone, and the center of the circles showing the bottom layer.

This ripping took more time and was a little trickier than I expected.

All the excess fabric is now removed.

I was excited by how well the painted design is showcased.

The next steps are really just embellishments. To start, various ribbons and yarns are couched down over the seams. (Couching is just a zig-zag stitch worked over the ribbon/yarn/cord.) After that, it’s time to explore thread and machine embroidery options. I went with metallic yarns and threads in warm colors and dark shades.

To finish up, I made a quilt sandwich with batting and backing and stitched it together using free motion quilting.

My Stitch and Slash sample suggests to me how much the trees are suffering from drought and temperatures above 100 degrees. I will call it Heat Wave.

You can find Carol Ann Waugh’s class here:

https://www.craftsy.com/class/stitch-slash/

painting

Watercolor Jack

Posted on July 17, 2022July 17, 2022 by Laura Kate

It’s been a very long time since I have seen one of these in the wild:

When I was a child roaming the woods in Ohio, we called this plant Jack-in-the-pulpit. This very wonderful photograph brought back memories and enticed me to try a watercolor version of it.

Sketch and initial wash on the background.

Finished painting

Most of the paints were Daniel Smith, a few Winsor & Newton. I used yellow ochre, green-gold, Winsor green, ultramarine blue, carbazole violet, alizarin crimson and quinacridone red. I also placed a few dabs of white gouache. Paper is Fabriano Studio cold press.

drawing, painting

Intuitive Mark-Making

Posted on July 13, 2022 by Laura Kate

Last Saturday, I was wanting to just mess around with mark-making in my sketchbook. As I opened my pen case, I spied a dip pen that I had purchased, but never really used. Grabbing a bottle of Sumi ink, I got busy. It was fun! After I had marked up the paper quite a bit, I added some watercolor crayon for color, and spritzed water on sections.

That exercise left me warmed up and wanting to do more. I turned to this photograph of Mogadore reservoir that I had taken while visiting Ohio in November of 2020.

After blocking the scene in pencil, I used watercolors to paint the background. The dip pen and ink came into use for the foreground branches.

This little 4 x 6 painting will be a nice postcard to send home.

painting

Life is a………

Posted on July 10, 2022July 9, 2022 by Laura Kate

Last month at Open Studio, expert watercolorist Cheryl Bryan presented this example to our group. The lesson was about painting in shadows.

I wanted to do this lesson, but felt that painting five cherries was not enough subject matter to keep my interest. So I chose this reference photograph, to supplement Cheryl’s example.

Initial sketch:

Lots of masking fluid added:

First washes, background and beginning to paint the subject.

To get this subject to work, each cherry must be painted individually, with multiple colors of paint worked in.

Most of the painting is finished, masking fluid removed.

Finished:

The cherries look luscious, but my favorite thing is the bowl. What a dreamy color!

painting

Patio Decor – Stage Two

Posted on June 29, 2022 by Laura Kate

Back in May, I started a painting on fabric for the purpose of decorating my patio.

https://wordpress.com/post/dailyfiberfun.wordpress.com/5098

It was May, and the weather for patio-sitting was perfect. But I didn’t finish my painting – I had become obsessed with the Shell Lake Story quilt, and could think of nothing else.

Now that the quilt is finished, AND lovely patio-sitting weather has returned, I got out the fabric paints to work on stage two of the painting.

At the end of stage one, I had a 15 by 30 inch canvass with a nice background on it.

The lovely green-colored folds already looked like geranium leaves. The blank-looking orange blobs will become geranium blossoms.

Using Jacquard Textile paint in colors green, ruby red and goldenrod, I started working from the right side of the canvas to the left. Here is the painting after my first two sessions:

Only one more blossom to go. Today I finished it up,

Hm, it’s pretty obvious that I got better at painting as I went along! While the far left blossom is more carefully painted, it lacks the bright highlights of the first two. This was caused by the tone of the underpainting, which was predominately violet instead of yellow, like the other ones. The only way to fix this is to apply opaque paint. The risk in doing that is overworking the painting.

So I guess I will leave well enough alone.

My next steps are to square up the fabric and staple it to the back of the frame.