Posted in painting, quilting

SAHRR Challenge 6: Monkey Business

This week is the final challenge for the Stay at Home Round Robin 2026 quilt along. Anja Quilts is our host today. She most generously and kindly suggested that we each choose a block for ourselves. That’s right, it’s Quilter’s Choice. This makes me happy, because now I can monkey around.

One afternoon, our little group was hanging around the villa in Costa Rica when we heard lots of rustling noises in the forest. Dashing outside (with cameras in hand) we were greeted by a gang of spider monkeys, working their way noisily across our view. Specifically, they were squirrel monkeys. Bill got some good images. He shared several, and I chose three to use in my “Monkey Round.”

It took me three days to come to a conclusion about a block to use. I will need three blocks for my row, each featuring one photograph. The centerpiece was easy – it will be an applique block of the brave monkey climbing out on a limb. But what about the others?

I started to think about monkeys in the context of quilting. In researching several standard quilt blocks, I learned that the Churn Dash block is sometimes called the Monkey Wrench – Eureka!

I traced the photos to produce a pattern for each “side monkey.” They will look like portraits in the center square of the churn dash blocks. My backgrounds will be left-over hand painted fabrics. After fusing and stitching down the cut pieces, I compared my two blocks to the photographs.

This should come out just fine. Next, I took a little time to prepare the center panel. I will have to paint a background for this one (no more leftover painted fabric.) But I did prepare the applique of the monkey.

He is standing on a pattern I traced for the palm fronds.

Putting the center panel aside, I got busy painting details on the other two monkeys. My textile paint of choice is Jacquard Textile. The paint dried quickly, allowing me to sew up the churn dash blocks using pieces I had cut yesterday. They finish at 7 inches.

Here they are side-by-side.

Finishing the center block will have to wait a while.

To see what other quilters selected for their sixth round, visit Anja Quilts.

We now have until March 25 to do all the finishing work in time to add our quilts to the quilt parade. That round will be hosted by Kathleen McMusing. I invite you to check back then to see how my Costa Rica quilt turns out.

Posted in painting, quilting

SAHRR 2026 Round Three: Coati Parade

Imagine my excitement when Emily, of Darling Dogwood, chose Animal Kingdom for this week’s round! I had already decided to include a handful of animals to appear in my Costa Rica quilt. All I needed to do was choose one.

I picked this coati as my star attraction.

Bill captured this coati (pronounced co-ah-tee) as it stood alone foraging near the villa. The camera motion caused it to look up, straight at the lens. The hanging tongue could be a gesture of disapproval (!)

A few days later, an entire troupe of coati marched across the driveway from left to right. Bill collected a bonanza of photographs.

For my round of animals, I will use the photogenic coati in a center block made in applique technique. For the rest of the round, I plan to cut a stencil and paint fabric in an approximation of the procession. This animal will be my model for cutting the stencil.

Its posture is very typical of the group. It looks intent on forward motion, head down, tail up and eyes forward.

First the applique. In my stash was a piece of fabric I had painted for another project. The colors are well suited for this one.

After resizing my photograph to fit the block I had cut (5 inch square finished,) I proceeded:

  1. Cut out subject from photo to determine positioning. 2. Applique pieces cut, assembled and fused to background. 3. Applique stitched down. Details added. I used different colors of Micron pen, mostly brown and black.

I chose a strip of pale fabric printed with yellow horizontal lines as the background for my stencil.

Having fun with the clownish properties of the coati, I painted my stencils in a variety of patterns using turquoise, violet, brown and black Jacquard textile paint. Aren’t they cute?

And here is my Round Three row, positioned below one of the tile rows.

This round was very fun, once I had honed in on my choices. If you enjoyed this post, be sure to check out Emily’s post, which holds the InLinkz site where SAHRR participants posted their results for Round 3.

And consider visiting the six SAHRR 2026 hosts at their homepages. Here is the list.

January 14th: Center/Centre blocks Gail @ Quilting Gail

January 21st: First Round: hourglass units   Brenda @ Songbird Designs

January 28th: Second Round: make it a double  Kathleen @ Kathleen McMusing

February 4th:  Third Round: Animal Kingdom Emily @ The Darling Dogwood

February 11th:  Fourth Round:   Wendy @ Pieceful Thoughts of My Quilting Life

February 18th: Fifth Round: Gail @ Quilting Gail 

February 25th: Sixth Round:  Anja @ Anja Quilts

March 25th:  Parade of Finishes showing all of your finished SAHRRs!

See you around next time,

Laura

Posted in knitting, painting

Unraveled Wednesday from Here

Waking up again to new snowfall. The wind blew it all about, and it’s clear that we are in for some of the coldest weather I have ever experienced.

Not to fret, I have my yarn (and blog friends) to keep me warm. Here’s what’s on my needles today.

In December I promised Bill that I would knit him a pair of socks. At Christmas, I formalized the promise with this gift, wrapped up with a swatch of the yarn.

This yarn has been in my stash since last January. It is Regia, by Schachenmayr. I have wanted to try this classic self-striping sock yarn for a long time. It was a bit fiddly getting started. I chose to knit from the cuff down using a 1 by 2 rib pattern. Getting cast-on with four sock needles was hard and the first few round tedious. But now I have my rhythm going.

As far as reading goes, the desire to stay inside and curled up has me almost desperate for new reading material. Succumbing to the stacks of detective novels that Bill has sprinkled throughout the house, I chose StillLife, by Louise Penny. I pretty much raced through it in two days. As murder mysteries go, it was fairly gentle, with more writing about relationships than graphic descriptions of violence and cruelty. It turned out to be just what I needed to get through the long, cold nights of January.

To read about posts by Kat’s other Unravelers, visit her site and link into the party.

Posted in painting, quilting

A New Stay At Home Round Robin

Yes, friends, Quilting Gail and her talented co-horts are at it again. The Stay at Home Round Robin for 2026 (better known as SAHRR 2026) is on, starting this week. For readers who are unfamiliar, I offer a link to Gail’s post, which explains it all.

https://quiltinggail.com/2025/12/18/announcing-the-2026-sahrr/

. As usual, there will be six rounds, plus the kick-off round. That’s happening now. Each participant makes or chooses a center block from which to build the quilt, then adds a border to it each week. This will be my sixth year to make one. The thing I love about SAHRR is how it provokes my creativity while providing a gentle amount of structure to keep me corralled and focused. For 2026, I want to make an art quilt that tells the story of our Costa Rican adventure last September. My DH took terrific photos, which support my memories of what we did and saw.

My center block is a fiery-billed aricari, a smallish toucan.

Using one of Bill’s photos as my subject, I painted the background fabrics with Jacquard Dyna-Flow, fused appliques into place, stitched them down, and painted details with Jacquard Textile paint. I’m pretty happy with my choice. If all goes well, I will draw on other vacation photo images to incorporate into future rounds.

I’m aware that my choice is complex and unconventional. But that’s just me. If you want to participate in SAHRR 2026, you can start with any block you have left over from a past project, or sew up a new one. There are no rules, only suggestions.

To see the co-horts who are providing the weekly clues, check out their posts from the list here:

The Schedule

  • January 14   Each of the co-leaders will be sharing their centre blocks (you will have to visit each of their blogs to see them). Gail will host the first linky party where you can show your centre block.
  • January 21:  1st Round:    Brenda @ Songbird Designs
  • January 28:  2nd Round: Kathleen @ Kathleen McMusing
  • February 4: 3rd Round: Emily @ The Darling Dogwood
  • February 11: 4th Round:   Wendy @ Pieceful Thoughts of My Quilting Life
  • February 18: 5th Round:  ME!!! @ Quilting Gail 
  • February 25: 6th Round:  Anja @ Anja Quilts
  • March 25:   Parade: showing all of your finished SAHRRs!
Posted in collage, painting

A New-to-me Design Tool

When it comes to my painting practice, I have been in a months-long drought. While knitting like a demon, I have not been inspired to paint, either on watercolor paper or fabric, since the completion of the Oregon Native quilt in early August.

That ended after reading a post by Just Sketching, in which he describes a compositional tool that blows the “rule of thirds” completely out of the water. It is called the Harmonic Armature. This tool takes the rule of thirds to the next level. In the rule of thirds, the designer/artist divides the picture plane into three more-or-less equal parts, both horizontally and vertically. The goal is to organize the major elements to intersect one or more spots where the lines cross.

I have no trouble understanding and using this rule, but I always am left with questions about how best to lay out the rest of my composition.

Now look at the Harmonic Armature

The four dots are clearly visible, but there is so much more. To get an idea of how this tool is used, have a quick listen to this video by Diante Jenkins.

I had to try this right away, so I started searching through some of my old paintings. I found one based on an excellent photograph that I did five years ago, in my early days working with watercolor paint.

I like how it turned out, but it always struck me as too empty. This past summer, I took it to a workshop I attended on making transfer prints with a laser jet printer. I transferred a photocopy of the painting to a cradled plywood board. Then I didn’t know what to do with it . I decided to add collage to it. What it needed was something alive – like birds. But where to put them?

First, I drew the HA on an 8×10 piece of tracing paper.

Next, I thumbed through some magazines and cut out various shapes of birds in dark colors. I also found some silhouetted figures in the magazine, which could work in my new design, so I cut these out.

After taping the armature over the print, I carefully slipped my cut-out shapes into place, taking advantage of the converging lines and focal points visible on the tool.

Once the glue dried, I added a few colored pencil marks to blend the silhouettes with the foreground.

It was a delightfully spent afternoon.

Now I am keen to get out my unfinished watercolors and see how I can move them to the finish line inspired by my new tool.