Laura Kate

Cast-on Monday: Learn a New Stitch

Posted on January 22, 2024January 22, 2024 by Laura Kate

As I ponder my goals for 2024, I am reminded of one goal that has history. Looking back on annual goals for three years, one item seems to pop up every year: mastering the brioche stitch. I have tried and failed.

Gentle reader, if you are not a fan of knitting, you may wish to stop reading now and move on to a post more to your taste. If you are a knitter, you are probably at least a little sympathetic. Maybe you also have tried brioche. If not, here is a wonderful example illustrating why you may want to learn it.

In brioche, there are often two colors worked together. Each row has 2 passes – one for the light color and another for the dark. It is truly double knitting and as such, makes incredibly plush and warm garments. But it has its own language with unique chart symbols used only in brioche knitting.

Emelie’s cowl is what I lust for. But, let’s be real, my first brioche garment is more likely to be one of these:

Left: VidaFetti Headband by Victoria Ida. Right: Waystone Mitts by Alicia Plummer

After three false starts while watching a Craftsy tutorial that didn’t help me at all, I turned to Utube and got some help. Andrea Mowry’s tutorial on two color brioche worked flat broke me through my learning curve.

Here is the beginning of my swatch:

There are a few mistakes, but I let them be. Unknitting brioche is almost as challenging as knitting it is. For now, I’m happy to have dipped my toe in the murky brioche waters. It is a good enough start.

quilting, recycling

SAHRR 2024 begins this week

Posted on January 19, 2024January 19, 2024 by Laura Kate

Last week I posted a number of choices for my center block in the annual Stay At Home Round Robin quilting challenge. Readers of this blog will not be terribly surprised to hear that I chose the mountain painting on fabric.

Now I am forced to consider the short-comings of my choice. First of all, it wasn’t square, having a slightly portrait layout. I sliced off the top and bottom to the limit that I was willing to sacrifice the image. It was still out of square.

My solution was to applique it to a 12 1/2 background. By choosing to applique instead of piece, I avoided seam allowance, retaining more of the painting. With a center block finishing at 12 in., I have lots of options for sizes of the rounds to come.

The second shortcoming became clear when I observed that the painting was mostly one value – it’s medium value nearly throughout. There are some darks, but no real lights. I’ll have to find a way to bring in some light, perhaps with embroidery.

Now I am confronted with a number of design decisions. I have resolved to make the entire thing out of scraps, if I can manage it. Coming up with the palette was easy. It will be an analogous one, featuring a range of colors that exist in the painting. Purple, blue, teal and cool greens will predominate, with a generous dash of reds as accent. Here are the eligible scraps, organized by color and value.

With any luck, I can avoid buying more fabric, outside of the backing.

The final design decisions that I can make prior to getting the first clue concern size and layout. I spent hours thumbing through books and looking online before I made my choices. Ultimately, I settled on a square, with an expected size of 45 inches, more or less. My plan is to add the rounds in log cabin fashion, keeping each round within a strict color range. To see how it would work I made a mock-up using colored pencil on graph paper.

I’m old school. No computerized design program assistance in my studio.

To see all the challenge participants’ center blocks, click Here.

painting

Watercolor Wednesday: Blissful

Posted on January 17, 2024January 16, 2024 by Laura Kate

I asked my yoga instructor for a photograph of her two little dogs, with the intention of giving her a painting for Christmas. Well, Christmas came and went, and I didn’t get around to the work until January.

Here is an adorable photo of Marianne and Sissy (breed is Havanese)

I know these dogs well. They are present at yoga session and form a 2-dog greeting party with the arrival of each student. My challenge will be to render their personalities as vividly as possible.

No good portrait will happen without a good sketch. In this one, I taped two pieces of paper together so that I could make the sketch on 1:1 ratio with the painting. This allows me to transfer key contour lines and any gestural lines to the watercolor paper by tracing.

Next, I did a quick color study and selected pigments. Marianne will be painted with a mix of Prussian blue and transparent orange. Sissy will be painted with a blend of Payne’s gray and transparent orange.

White areas masked out and underpainting complete:

Second wash complete

Third wash finished and most details painted in. Time to remove the masking fluid and the little bits of masking tape.

Final touches to finish it.

I’m pretty satisfied with this one. There were challenges, to be sure. But I achieved the bit of sparkle and personality I was seeking. You can probably guess that Marianne is the extrovert and Sissy not so much. I think of them as yang and yin.

Blissful Dogs finishes out at 12 by 15. It is the largest watercolor painting I have finished to date and will easily fill a 16 x 20 frame after matting.

Done on cold-press Fabrico Artistico paper with a palette of Winsor yellow, yellow ochre, transparent orange, burnt sienna, quinacridone red, Prussian blue and Payne’s gray. Only tiny amounts of white gouache were needed.

colorwork, knitting

Cast-on Monday: By Request

Posted on January 15, 2024 by Laura Kate

Last week my yarn order from Knitpicks arrived, so I cast on the balaclava requested by my daughter. But before that, I sent her photos of several color options.

She chose:

Gold Rios by Malabrigo, natural Hawthorne and RainForest Heather Stroll by Knitpicks.

It’s a bold choice but not surprising selection.

Here you see the Dice check colorwork design that Gretchen Tracey used in her pattern. It’s a simple slip-stitch – one worked in three colors over six rows.

Interesting construction – the piece starts out with an odd-looking rectangle that forms the crown. Stitches are then picked up on the two long-edges, with the live stitches carrying on down the center back.

At this point, the piece reminds me of a horse-shoe crab. Strange to think of wearing a crab on one’s head. But I have faith that it will sort itself out and look more like a helmet when finished.

I’m modifying this Kid’s Balaclava pattern to fit an adult. There will be a bit of suspense as to whether my changes will be enough to give a good fit. On the plus side, it knits up so quickly I won’t be too distressed if I have to frog it back.

knitting, quilting, sewing

First Friday Finishes in 2024

Posted on January 12, 2024January 12, 2024 by Laura Kate

I’ve spent the week productively, finishing my quilted border curtains and also a Seaglass hat. Finish 3 is the off-the-grid mitts that I gave to H at Christmas. All three projects are stashbusters ( a desirable trait likely to carry on with me in the new year.)

It’s been many years since I constructed curtains The only thing I had to buy for the project was lining fabric. The trick for this project was marrying the patchwork border with a king-size cotton sheet. I did this by attaching wide binding strips to both edges of the curtains. Was it a fun project? I would say mixed. Making that border was great fun. Wrestling with yards and yards of fabric, getting everything lined up correctly and stitching it together was not fun. But the result was very worth it. In addition to having an attractive surround for the large bedroom window, the lining I chose has insulation properties. This came in very handing with temperatures plunging. Our bedroom is now draft-free.

Henry happily received his off the grid mitts. They work beautifully for extra warmth over gloves, and, worn on their own, they keep his fingertips free to use his cellphone while wearing them. I was pleased.

At the last minute I decided to make a pom-pom for the top of the child’s Seaglass hat. Now that I have some practice with the 1 + 1 technique and understand how to work my gauge swatch, I can cast on the Seaglass sweater in confidence.

What are you working on this week? Oh, and how do you feel about it?