Author: Laura Kate

One of six children, I was raised by a busy mom, who instilled in me a love of fabric. Though I learned to sew and knit at a young age, it was the arrival of my first grandchild that pushed me into action. A long-time knitter, I am now ready to explore all things fiber.
Posted in quilting, recycling

SAHRR 2024 begins this week

Posted on by Laura Kate

Last week I posted a number of choices for my center block in the annual Stay At Home Round Robin quilting challenge. Readers of this blog will not be terribly surprised to hear that I chose the mountain painting on fabric.

Now I am forced to consider the short-comings of my choice. First of all, it wasn’t square, having a slightly portrait layout. I sliced off the top and bottom to the limit that I was willing to sacrifice the image. It was still out of square.

My solution was to applique it to a 12 1/2 background. By choosing to applique instead of piece, I avoided seam allowance, retaining more of the painting. With a center block finishing at 12 in., I have lots of options for sizes of the rounds to come.

The second shortcoming became clear when I observed that the painting was mostly one value – it’s medium value nearly throughout. There are some darks, but no real lights. I’ll have to find a way to bring in some light, perhaps with embroidery.

Now I am confronted with a number of design decisions. I have resolved to make the entire thing out of scraps, if I can manage it. Coming up with the palette was easy. It will be an analogous one, featuring a range of colors that exist in the painting. Purple, blue, teal and cool greens will predominate, with a generous dash of reds as accent. Here are the eligible scraps, organized by color and value.

With any luck, I can avoid buying more fabric, outside of the backing.

The final design decisions that I can make prior to getting the first clue concern size and layout. I spent hours thumbing through books and looking online before I made my choices. Ultimately, I settled on a square, with an expected size of 45 inches, more or less. My plan is to add the rounds in log cabin fashion, keeping each round within a strict color range. To see how it would work I made a mock-up using colored pencil on graph paper.

I’m old school. No computerized design program assistance in my studio.

To see all the challenge participants’ center blocks, click Here.

Posted in painting

Watercolor Wednesday: Blissful

Posted on by Laura Kate

I asked my yoga instructor for a photograph of her two little dogs, with the intention of giving her a painting for Christmas. Well, Christmas came and went, and I didn’t get around to the work until January.

Here is an adorable photo of Marianne and Sissy (breed is Havanese)

I know these dogs well. They are present at yoga session and form a 2-dog greeting party with the arrival of each student. My challenge will be to render their personalities as vividly as possible.

No good portrait will happen without a good sketch. In this one, I taped two pieces of paper together so that I could make the sketch on 1:1 ratio with the painting. This allows me to transfer key contour lines and any gestural lines to the watercolor paper by tracing. 

Next, I did a quick color study and selected pigments. Marianne will be painted with a mix of Prussian blue and transparent orange. Sissy will be painted with a blend of Payne’s gray and transparent orange.

White areas masked out and underpainting complete:

Second wash complete

Third wash finished and most details painted in. Time to remove the masking fluid and the little bits of masking tape.

Final touches to finish it.

I’m pretty satisfied with this one. There were challenges, to be sure. But I achieved the bit of sparkle and personality I was seeking. You can probably guess that Marianne is the extrovert and Sissy not so much. I think of them as yang and yin. 

Blissful Dogs finishes out at 12 by 15. It is the largest watercolor painting I have finished to date and will easily fill a 16 x 20 frame after matting.

Done on cold-press Fabrico Artistico paper with a palette of Winsor yellow, yellow ochre, transparent orange, burnt sienna, quinacridone red, Prussian blue and Payne’s gray. Only tiny amounts of white gouache were needed.

Posted in colorwork, knitting

Cast-on Monday: By Request

Posted on by Laura Kate

Last week my yarn order from Knitpicks arrived, so I cast on the balaclava requested by my daughter. But before that, I sent her photos of several color options.

She chose:

Gold Rios by Malabrigo, natural Hawthorne and RainForest Heather Stroll by Knitpicks.

It’s a bold choice but not surprising selection.

Here you see the Dice check colorwork design that Gretchen Tracey used in her pattern. It’s a simple slip-stitch – one worked in three colors over six rows.

Interesting construction – the piece starts out with an odd-looking rectangle that forms the crown. Stitches are then picked up on the two long-edges, with the live stitches carrying on down the center back.

At this point, the piece reminds me of a horse-shoe crab. Strange to think of wearing a crab on one’s head. But I have faith that it will sort itself out and look more like a helmet when finished.

I’m modifying this Kid’s Balaclava pattern to fit an adult. There will be a bit of suspense as to whether my changes will be enough to give a good fit. On the plus side, it knits up so quickly I won’t be too distressed if I have to frog it back.

Posted in knitting, quilting, sewing

First Friday Finishes in 2024

Posted on by Laura Kate

I’ve spent the week productively, finishing my quilted border curtains and also a Seaglass hat. Finish 3 is the off-the-grid mitts that I gave to H at Christmas. All three projects are stashbusters ( a desirable trait likely to carry on with me in the new year.)

It’s been many years since I constructed curtains The only thing I had to buy for the project was lining fabric. The trick for this project was marrying the patchwork border with a king-size cotton sheet. I did this by attaching wide binding strips to both edges of the curtains. Was it a fun project? I would say mixed. Making that border was great fun. Wrestling with yards and yards of fabric, getting everything lined up correctly and stitching it together was not fun. But the result was very worth it. In addition to having an attractive surround for the large bedroom window, the lining I chose has insulation properties. This came in very handing with temperatures plunging. Our bedroom is now draft-free.

Henry happily received his off the grid mitts. They work beautifully for extra warmth over gloves, and, worn on their own, they keep his fingertips free to use his cellphone while wearing them. I was pleased.

At the last minute I decided to make a pom-pom for the top of the child’s Seaglass hat. Now that I have some practice with the 1 + 1 technique and understand how to work my gauge swatch, I can cast on the Seaglass sweater in confidence.

What are you working on this week? Oh, and how do you feel about it?

Posted in quilting

Wednesday: Considering a new project

Posted on by Laura Kate

At present, I have various works in progress and finished objects that I could write about today. But January is the month that Quilting Gail and her co-horts begin work on the annual Stay at Home Round Robin quilt. So I am pivoting.

Stay at Home Round Robin Quilting

During the past three years I have participated with joy. I’d really like to continue round robin-ing this year. But I am in a quandary about my center block. Thinking about SAHHR in December, I had the idea to use paper pieced squares in this year’s center block. I but never got around to making them. Now, feeling pressed for time, I’m reluctant to work on a deadline in a technique in which I have little experience.

This morning, I decided the answer may lie in the objects I made during my first year of practicing fiber arts. It was a time when I was bursting with ideas but short on skills. As I rummaged through my portfolio from 2019 to early 2020, I found six fiber objects with potential to become a center block of a small quilt.

Shall we audition them together?

Candidate 1:

This was an early experiment with fabric paint. I took two different paintings, cut them into strips and wove them together, using satin stitch to close up the cut edges.

Candidate 2:

This is a rejected block from my oakleaf hydrangea wall-hanging. The background is covered in snippets of hand embroidery with irregular blanket stitch on the edges.

Candidate 3:

I was discovering what fabric markers can do. This painting is done on lightweight muslin and would need to be mounted on sturdier fabric.

Candidate 4:

A mini art quilt, this was inspired by what I saw in my head with eyes closed during a yoga class. I was practicing curved edge piecing.

Candidate 5:

Inspired by one of Bill’s photographs, this block was a practice piece for a larger work I never completed. The technique is confetti applique. While I would consider putting this one in an SAHHR quilt, I’ve yet to give up on my original concept.

Candidate 6:

A very early experiment in fabric painting, I “saw” a scene of a mountain area recovering from a forest fire. The initial paint application was enhanced with brown stamps of bare and broken trees. The middle ground is meant to represent fireweed which moves in quickly after a fire ends.

This last block is the one I am leaning toward the most. I have some ideas for expanding on the theme of environmental devastation and recovery.

What do you think about my options? Even if you are not a quilter, I am interested in learning the block that attracts your eye the most. Which one has the highest potential from the aspects of design, color and originality?