Posted in painting

Friday Finishes: Six by Six

Today I have two – six by six canvases – that will be submitted for sale in October to benefit my local art association. I had fun coming up with ideas.

Last week I did two sketches. One was intended to be a traditional watercolor work. The second will start out with watercolor, but will finish out with some threadwork.

I call this work In Our Hands.

Reference photo:

Sketch:

Finished painting:

To utilize the 6 by 6 stretched canvas, I cut my watercolor paper into a 9 by 9 square. My initial wash was worked over the whole piece. After it dried, I cut it at the corners, wrapped it around the canvas, folding over flaps, which were stapled in place. I used double-face tape to press down the sides onto the canvas edges and cut off the excess. Then I proceeded with the rest of the painting.

Pigments used: Winsor lemon, quinacridone gold, raw sienna, transparent orange, Payne’s gray, Prussian blue and Winsor green, blue shade. Some silver metallic gouache suggests the pale iridescent scales of the butterfly.

For the second piece, I prepared the canvas with a product new to me: QOR Watercolor Ground. This base is supposed to transform the fabric canvas into a watercolor paper-like surface. Reviews were good, so I will give it a try.

My reference is photograph of baby birds taken by Bill.

He discovered this nest outside a busy title office inside a fake plant. What was that mother bird thinking! I call this work Tight Quarters.

Original sketch

Partially completed painting with photograph in background.

Finished painting, ready for the next step.

Painting on the watercolor ground, IMHO, was nothing like painting on paper. These sparrows look like they have a serious case of bed-head feathers. I found it almost impossible to layer my paints in a normal way. When I tried to add a glaze, the underlayers would liquify. So, I just pushed the paint this way and that to suggest the texture of the feathers. Despite the struggle, I find that these little birds have a lively character which is appealing to me.

Pigments used were Winsor lemon, quinacridone gold, raw sienna, transparent orange, quinacridone red, ultramarine blue, Prussian blue and Winsor green, blue shade.

Posted in painting

Watercolor Wednesday

Last Wednesday, I participated in a watercolor tutorial offered by fellow art association member Cheryl Bryan. We were to paint a koi swimming near the surface of a pond. While she had a nice reference image, I preferred to use this one from Unsplash by Jason Leung.

https://unsplash.com/photos/macro-photography-of-koi-fish-7rR_WSk4HM0

Subjects in water are very appealing to me, especially creatures such as fish.

Here is my sketch of Jason’s photograph after I had added masking fluid to reserve the whites of the paper.

I am using Arches 140# cold press paper. The masking fluid is Incredible White Mask liquid frisket. I recently learned to apply this messy stuff by using a small paint brush that is first dipped into a solution of water and liquid soap. To apply little dots, I used the tip of a wooden knitting needle (!) Both worked great.

Here is my painting at the end of the 2 hours tutoring session.

I had the background mostly complete and the first wash on the fish. The next day I painted more color on the fish, added shadows and a glaze of highly diluted Phthalo blue. After the paper dried completely, I removed the mask and added highlights.

I’m pretty happy with the result. The fins, tail and ripples came out well. You can tell that the head and mouth are poking through the water’s surface.

I’m less happy with the shadows and my color mixes. Perhaps I should have chosen different pigments.

Anyway, I have dipped my toes back into painting after a long hiatus. The dry spell is over, for now. (puns intended.)

Posted in drawing

Sunday Sketching: for a fundraiser

My local art association is having an art sale in October. The members are asked to use 6×6 canvases to make artwork, choosing whatever media they prefer. At the event, each canvas will be sold for $66.

This is something I can do. This week I picked up three of these canvases. I came up with six ideas for subject matter. To get started, I made some sketches today (really, just contour drawings.) These will be painted with watercolors.

  1. Butterfly perched on my hand. Butterflies have landed on me in real life. Often it’s the little hackberry butterflies, drawn to warm or sweaty clothing. I wanted something with more drama. I chose to sketch a spicebush swallowtail.

My hand was drawn from life. For the butterfly, I referenced a photo from the Audobon Guide to Butterflies of North America, published in 1980.

There were no photo credits in the book.

2. Baby sparrows in a nest: This drawing was made based on a photograph by Bill.

At times, parent birds choose unfortunate locations for building their nests. This nest was located in a door wreath at a downtown business. Here is my contour sketch.

I have something special in mind for this work. Fiber art will be involved, giving this painting more of a 3D object.

3. Two of my other ideas will be worked with fabric paint on cotton. I will recreate some early experiments of mine using the sun printing technique.

I’m excited to get started. Perhaps I will work on color selection later today.

Posted in knitting, Living Life Well

Reunited

Earlier this month, the Oklahoma sock was reunited with the Wisconsin sock in a rustic cabin at Shell Lake, WI. There was jubilation from the affected parties.

That was a few weeks ago. Life has been out of the ordinary for most of the month. The passing of my dad on August 10th brought about an eight-day visited to Ohio, where I spent time with my mom, siblings and assorted relatives while celebrating Dad’s life. Upon returning home, we were immersed into rental house repairs, as we continue selling off our Oklahoma real estate. Our plan is to leave Oklahoma for the more temperate climes of the upper Midwest. The presence of grandchildren is a powerful motivator.

Getting back to the socks, pictured above. Readers may recall that the pattern is Mary Delany by Kate Davies, and the yarns are Hawthorne by Knitpicks and Ultimate Sock by Malibrigo. The red is a leftover pulled from my stash along with the other two yarns.

I’m so pleased with the look and the fit. Next week is the county fair. This project will be entered, along with the little knitted new-born jacket and the Japanese knot bag.

My only entry in the quilting category this year is the Migration World wall hanging.

Thanks for stopping by. As I get back into a normal routine, I will have more objects to write about. (Hint: I expect that there will be a resumption of watercolor painting.)

Posted in painting, quilting

Wednesday WIP: Scrappy quilt update

I feel like I have been assembling four square blocks all summer long. I have sewn five sets of eight blocks, each set confined to one color in my analogous palette.

Finally, I am nearing the end of the block-building phase. There were two glitches that lengthened the time spent building blocks. Firstly, I ran out of scraps and couldn’t find the colors I needed at Hobby Lobby. This led me to adding color to my white or pale fabrics by painting them with Jacquard Dye-na-flow paint. I painted the featured 4 x 2 and 1/2 strips AND the 1 and 1/4 border strips to get the effects I was seeking. It was kind of fun, in a time-consuming sort of way.

Here is a sampling of some painted strips/blocks in green hues.

I ended up needing painted fabric in blue-violet, teal AND yellow green.

The second issue arose when laid out my blocks. I took an intense dislike to any block that had dark borders. To fix this, I cut apart many blocks and replaced the dark strips with light colored fabrics (mostly were created with paint on white fabric.)

I now have enough blocks to form the five regions of my quilt. I have sewn a center block for each region using black fabric and hand-painted feature fabrics. To create some breathing room between my blocks, I made sashing with black fabric. Believing the black fabric was too boring, I cut the sashing randomly and inserted “sticks” of multi-hued batik fabric. Here is a the “blue-violet” region laid out and ready to sew.

I’m excited to start assembling the quilt, but a little nervous that the pieces won’t fit together properly.