Posted in knitting

Friday Finish: Back to Stashbusting

And back to a favorite designer, Kate Davies, of KateDaviesDesign. This pattern for adult booties was included in her recent publication Margery Allingham’s Mysterious Knits, but it was also released individually on Ravelry.

https://www.ravelry.com/patterns/library/slippers-bellew

The yarn I am using is from Ewetopia, a Christmas gift from my daughter. Ewetopia is a Wisconsin yarn maker headquartered in Viroqua. The fibers are mysterious, described by the maker simply as “it’s all good.” I used all but half an ounce of the generously sized ball.

Here is a view of the 3-needle bind-off, which closes the foot and circles the ankle.

The heavy-worsted two-ply yarn refused to give me gauge, even when knit with the size 4 needle. Consequently, I cast on 44 stitches instead of the 52 as instructed.

This decision required some minor adjustments as I went along. But I am an acolyte of the Elizabeth Zimmerman school of knitting. She reminds me that I am the boss of my own knitting, and need not be cowed into submission by a designer.

The resulting booties are a perfect fit for my size 6 1/2 feet. I expect to wear them while lounging, but not for any vigorous walking indoors. They slide smoothly across wooden floors. A fun game for the young, but not recommended for those of us with less than perfect bones.

Posted in painting

Playing with Watercolor

I received some new paint colors this week and it’s time to see what they look like. So I did a little free exploration.

Olive green and burnt umber have been added to my palette.

I splashed them on Stonehenge 100% cotton paper with ultramarine blue, quinacridone red, quinacridone gold, and alizarin crimson. While still wet I worked in some metallic gold.

Here I am trying out a new brush. It is a 1/4 inch dagger, very soft, and shaped like a, well, a dagger.

The paper was first splashed with water, causing the lines to break up and run down the paper. I pulled the brush through the center of the curves to carry the blue all the way down. After the paper dried, I added a few lines with extra-fine Micron pens.

Wonder what I will do tomorrow?

Posted in painting

Watercolor Wednesday in October

“She offered me a hummingbird” again

Finally finished this last 6 x 6 for our local art association fundraiser. This one was important for me to get right because it faithfully reproduces the layout, colors and feel of the actual event.

When the visitor offered me the bird, it was in her hand extended forward to me. The bird was in this posture – wings stretched back into a V and head slightly raised.

I used two reference photos. The hummingbird came from Unsplash, it was taken by B Hong. I rotated his image until it had the posture I remembered in the live bird.

The hand model was me again. I chose a bright sunny day and held a button in my palm to try to recreate the shadows.

It was enough for me to get the idea. When I needed help, I took the painting to Open Studio today for advice on attaining better shadows. Cheryl Bryan was there. She advised me that I should not try to match the photograph. Softening the shadows and allowing a little space between the palm and the bird made for a better painting. Then I kept darkening and tweaking everything until a good range of values was present. I finished the details with white gouache and a few colors of Micron pens.

For those interested, my pigments are raw sienna, transparent orange, Winsor green blue shade, Winsor green yellow shade, carbazole violet, Paynes gray and white gouache.

Posted in colorwork, knitting

Autumn Blooms

LOOK UP!

This past week I cast on a project that has been in my queue most of the summer. It is a pullover sweater for Mandy, using some Malabrigo Rios yarn as the main color.

I was thunderstruck to see that my palette is a near match for the colors I see outside right now. The gold color is 035 Frank Ochre and I purchased it online from Jimmie Beans. The two contrasting colors are from Knitpicks: Hawthorne dk in Foster Powell Multi and Swish dk in Moss.

My daughter chose the pattern from three or four options I gave her out of my Ravelry favorites. She liked Autumn Bloom by Olga Putano.

It is knit top down starting with a very beautiful and somewhat complex yoke.

In this photo I have worked to the point where the main color is joined. When that happens, the knitter is faced with working three yarns at the same time for about four rounds – slow and tricky work involving a lot of catching the long floats of unused strands under the working yarn.

Here is my progress with the yoke chart completed.

In the bright sunlight, the colors almost glow. That gold will definitely brighten up a dark winter day when sunshine is rare.

The project is almost to the point where a fitting is required. I have some doubts and fears about sizing and whether my stranded knitting will block out smoothly. Since I won’t have access to the recipient for another four weeks or so, I would be wise to cool my needles and put the project aside until the next time we are together.